Claudio Arrau
Piano
1903 - 1991

www.arrauhouse.org



 'ArrauHouse' - A Chronology 

 Middle Period - 1941 to 1962

1941    
1941
South America
Arrau moves family residence from Santiago to New York.
En route concerts/recitals in
Chile, Peru, Ecuador, Colombia, Panama, Guatemala, Mexico, and New York.
1941-47
U.S.A.
Once in New York, lives with family in Forest Hills until 1947.

1941

U.S.A.

First return recital at the New York Town Hall on 25 January, with a formidable program of large-scale works:

>  Bach's  Partita No.2 in C minor
>  Beethoven's  Sonata in C major Op 2 No. 3
>  Brahms's  Variations and Fugue on a Theme of Handel Op.24
>  Mussorgsky's  Pictures at an Exhibition
Encores:
Debussy's  Danse and
>  Chopin-Liszt's  Chant Polonaise

Appreciative review in The New York Times of 26th January.
1941
U.S.A.
Triumphant return engagement at Carnegie Hall on 19 February, with an extensive program including:

>  Bach's  Italian Concerto
>  Beethoven's  Sonata in E flat Op 31 No. 3
>  Schumann's  Carnaval Op.9
>  Chopin's  Scherzo No. 4 in E Op.54
>  Liszt's  Concert Etude in D flat 'Un sospiro'
Ravel's Jeux d'eau
>  Debussy's  Feux d'artifice

Highest praise by Noel Strauss in The New York Times of 20th February, and by Robert Lawrence in The New York Herald Tribune.
1941
Colombia

Concert performances at the Teatro de Colón of Bogotá, with the Orquesta Sinfónica Nacional conducted by Guillermo Espinosa on 17th, 25th and 29th March, with a programme which consisted of:

> Beetoven:  The 5 Piano Concertos
> Beethoven:  Choral Fantasie
> Weber:  Konzertstück for Piano and Orchestra in F minor
> Chopin:  Piano Concerto No. 1 in E minor
> Schumann:  Piano Concerto in A minor

1941

U.S.A.

On 14th November, Carnegie Hall recital with a program comprising:

>  a Mozart Sonata
>  Schumann's Fantasia*
>  Weber's Sonata in C major
>  Ravel's Ondine
>  Debussy's Danse
>  plus encores
H
Highly appreciative critique by Olin Downes in The New York Times of 15th November.
*[Some sources show Schubert's Wanderer Fantasy in C major instead]

1941
U.S.A.
Tour of the U.S. greeted with the highest critical acclaim.  The US media, including Time Magazine, The New York Times and just about every other paper, gave Arrau rave reviews.
1941
U.S.A.
Ms Friede Rothe-Sterling becomes Arrau's personal manager, an association that was to last for life.
1941
U.S.A.
The New York Times of 7th December reviews Arrau's first recordings for the Victor label:  Mozart's Sonata No. 5 in G  KV283 and Sonata No. 17 in D  KV576: "a blend of lightness, clarity and lyricism".
1941
U.S.A.
Recital at the Peabody Conservatory of Music, City of Baltimore (Meryland), on Friday 12th December.  The program was titled The Seventh Peabody Recital.
1941
U.S.A.
Arrau devotes himself to teaching.
1941/2
World
Recitals/concerts in all major cities of the world (except Peking).

This endeavour was to become the hallmark of his legendary, unrelenting artistic activity which, throughout the decades, meant marathon schedules exceeding one hundred appearances per year in solo recitals and concerts with all major orchestras of the world, including an annual tour of the U.S. repeated until 1989 inclusive.
1941/6
U.S.A.
Records for the Victor label works by Bach, Beethoven, Mozart, R. Strauss, and Weber, including his first commercial recording of an orchestral work in the U.S.:  Schumann's Piano Concerto with the Detroit Symphony Orchestra under Karl Krueger in 1944.
1942    
1942
U.S.A.
Full cover page photograph of Claudio Arrau on 'Musical America' magazine of 10th January, published in New York.
1942
U.S.A.

Performance of Beethoven's Concerto for Pianoforte No.4 in G major Op.58 with the Boston Symphony Orchestra conducted by Richard Burgin, at the Boston Symphony Hall on Monday 26th and Tuesday 27th January, this being the Fourth Programme of the Sixty-First Season 1941-1942.

The programme also included:
Vivaldi's Concerto for Violin and String Orchestra in A minor, arranged by Tividar Nachéz (solo part played by multiple violins), and
Dvorak's Symphony No.5 in Eminor From the New World Op.95.

N.B.: Repeat appearance in one season was unprecedented for an artist.

1942
U.S.A.
Concerto performances with the Chicago Symphony under Frederick Stock, twice early in March [repeat appearance in one season unprecedented for an artist].
1942
U.S.A.
An article entitled "Arrau Makes Hay", in TIME Magazine of 23th March, praises Claudio Arrau for his quick rise to fame in the USA after his Carnegie Hall recitals in the Autumn of 1941.  Arrau is commended for his prodigious technique, thorough repertoire, sober modesty, and true greatness.
1942
Puerto Rico
Peformances in San Juan in March.
1942
Argentina
Performance of Cesar Franck's Symphonic Variations and Franz Liszt's Piano Concerto No.2, at the 'Teatro Colón' of Buenos Aires on Sunday 12th April, with Alberto Wolff conducting.

The programme also included Berlioz's 'Benvenuto Cellini' Overture, and Shostakovitz's Symphomy No.1.
1942
Argentina
Performance of Beethoven Complete Piano Sonata Cycle at the Teatro Colón of Buenos Aires in a series of 6 recitals over April and May.

1942

 

 

 

 

 

 

 

 

 

 

 

 


Uruguay

 

 

 

 

 

 

 

 

 

 

 

 


Performance of Beethoven Complete Piano Sonata Cycle at the Teatro Solís of Montevideo, in a series of six subscription recitals over April and May, as part of the 1942 Concert Season run by the Organización Musical Daniel:

First recital: Wednesday 22nd April at 5:45 pm

> Sonata No.1 en fa menor Op.2 No.1
> Sonata No.2 en la mayor Op.2 No.2
> Sonata No.3 en do mayor Op.2 No.3
> Sonata No.25 en sol mayor Op.79
> Sonata No.26 en mi bemol mayor Op.81a  Los adioses

Second recital: Wednesday 29th April at 5:45 pm

> Sonata No.5 en do menor Op.10 No.1
> Sonata No.6 en fa mayor Op.10 No.2
> Sonata No.7 en re mayor Op.10 No.3
> Sonata No.24 en fa sostenido mayor Op.78  Para Teresa
> Sonata No.22 en fa mayor Op.54
> Sonata No.23 en fa menor Op.57  Apasionada

Third recital: Friday 8th May at 5:45 pm

> Sonata No.4 en mi bemol mayor Op.7
> Sonata No.9 en mi mayor Op.14 No.1
> Sonata No.10 en resol mayor Op.14 No.2
> Sonata No.15 en re mayor Op.28
> Sonata No.13 en mi bemol mayor Op.27 No.1
> Sonata No.14 en do sostenido menor Op.27 No.2 Claro de luna

1942
Argentina

Fifth subscription recital, of a cycle of six covering the complete Beethoven sonata cycle, at the Teatro Colón of Buenos Aires on Sunday 10th May at 6:00 pm, with a program including:

> Sonata No.8 in do menor Op.13 Patética
> Sonata No.11 en si bemol mayor Op.22
> Sonata No.29 en si bemol mayor Op.206 Hammerklavier

1942
Uruguay
Fourth recital of the complete Beethoven sonata cycle at the Teatro Solís of Montevideo on Monday 11th May, including Sonatas Nos.16, 17, 18, 19, 20, and 21 La aurora.
1942
Uruguay

Farewell Recital at the Teatro Solís, Montevideo, as part of the Temporada Oficial de Conciertos de 1942, on Monday 8th June at 5:45 pm, with a programme consisting of:

Mozart:  Fantasía K.475 y sonata en do menor K.457
Schumann:  Humoresque Op.20
Liszt:  Balada en si menor
Liszt:  Estudio trascendental en fa menor
Debussy:  Homenaje a Rameau
Debussy:  Movimiento
Debussy:  Jardines bajo la lluvia

Debussy:  Golliwoggs Cake Walk
Bartok:  Alegro bárbaro

1942
Chile
Concerts with the Chilean Symphony Orchestra [Orquesta Sinfónica de Chile] under Erich Kleiber at the 'Teatro Municipal' of Santiago.
First concert on Sunday 26th July at 6:00 pm.
1942
U.S.A.
Claudio Arrau writes an article for the August edition of "The Etude" Music Magazine, published in Philadelphia, entitled Creative Technic for the Piano, where Arrau discourses about technique development only as a means of realizing interpretation and expression. [Pages 511, 512, and 562]
1942
U.S.A.
On 23rd August, The New York Times critic Howard Taubman reviews Claudio Arrau's recordings of Beethoven's Theme and Variations in F Op 34, and Theme and Variations in E flat (Eroica Variations) Op 35, for the Victor label [DM-892]. "Brilliant", "flavoursome", "well recorded" performances of otherwise not recently recorded works.
1942
Peru

Second and farewell recital at the Teatro Nacional of Lima on Sunday 30th August, with a programme including the following works:

> Mozart:  Sonata in G major
> Beethoven:  Sinata in E flat major Op.81a Les adieux

Intermission
> Liszt:  Ballada in B minor
> Chopin:  Ballade in F minor
> Chopin:  Scherzo in E major 
 
Intermission
> Ravel: Ondine
> Ravel:  Hommage à Rameau
> Debussy:  Mouvement 

> Debussy:  La puerta del vino
> Debussy:  L' isle joyeuse

1942
Mexico

Recitals on 25th, 28th, and 30th September, and on 2nd October.
[This entry needs corroboration]

1942
U.S.A.
An article headed 'Almost Unprecedented Number of Recitals ', in 'Variety' (USA) magazine of 21st October, calls attention to the fact that, in his second year in the USA, Arrau has now been set for more recitals and concerts than any pianist since the hey-day of Pederewski in 1922-23, with 70 engagements so far for the 1942-43 season.
1942
Canada
Sixty presentations, greeted with the highest critical acclaim.
1942
U.S.A.
Carnegie Hall recital on 28th October with a program comprising:
>  Mozart's  early Sonata in G major
Brahms's  Variations and Fugue on a Theme of Handel
>  Schumann's  Humoresque
>  Liszt's  Ballade in B minor
>  Bartók's  Allegro barbaro
>  Debussy's  L'isle joyeuse, and
Poulenc's  Capriccio Italien
with several encores, amongst them
>  Chopin's  Étude in E minor and
>  Debussy's  Golliwog's Cakewalk (From Children's Corner)
[Superlative praise, with minor "buts" regarding the Teutonic works, by a reviewer for The New York Times of 29th October]
1942
U.S.A.
Records Bach's Goldberg Variations for the Victor label on 78 rpm masters (recording first ever released in 1988 as RCA Gold Seal CD 7841-2-RG).
1942/3
U.S.A.
US tour:  Played with the Boston, Chicago, Philadelphia, Cleveland, New York Philharmonic, Cincinnati, Minneapolis, and San Francisco Orchestras.
With the Boston and Chicago Symphony Orchestras, Arrau had the added rare distinction of being invited back to play twice in the same season.
> Boston Symphony under Serge Koussevitzky, twice in January 1942.
> Chicago Symphony under Frederick Stock, twice in March 1942.
1943    

1943


U.S.A.


First appearance as soloist with The New York Philharmonic-Symphony Orchestra conducted by Dimitri Mitropoulos at the Carnegie Hall on Sunday 2nd January.  
The orchestral program included Beethoven's Piano Concerto No. 4 in G major.  
The audience demanded 5 curtain calls.
[Appreciative review by critic R.P. in The New York Times of 3rd January]

1943 U.S.A. 

Recital in Ohio, at the John Simpson Junior High School Auditorium, for members only of the Mansfield Civic Music Association, on Thursday 18th February at 8:15 pm, presenting a program which included:

>  Haydn:  Andante con Variazioni
>  Brahms:  Variations and Fugue on a Theme of Händel Opus 24

Chopin:  Ballade in A flat major
>  Chopin:  Scherzo in E major
>  Liszt:  Jeux d'eau à la Villa d'Este

>  Liszt:  Etude in F minor

>  Granados:  La maja y el ruiseñor
>  Ravel:  Jeux d'eau
Debussy:  Feux d'artifice

1943 U.S.A.  Performance of Brahms’s Piano Concerto No. 1 with the Cincinnati Symphony Orchestra under Eugene Goosens.
1943 U.S.A.  Performances of Beethoven’s Piano Concerto No. 4 and Brahms’s Piano Concerto No. 1 with the Minneapolis Symphony Orchestra under Dimitri Mitropoulos.
1943 U.S.A. Performance of Liszt’s Piano Concerto No. 2 with the New York Philharmonic Orchestra under Dimitri Mitropoulos.
[Music and Arts: CD-1174. 2005]
1943
U.S.A.
Performance of Schumann's Piano Concerto with the Philadelphia Orchestra conducted by Eugen Ormandy at the Carnegie Hall on 23rd March.
[Appreciative review by critic Olin Downes in The New York Times of 24th March]
1943
U.S.A.
Founds The Claudio Arrau Academy in New York, where he and his partner Rafael de Silva dedicated their endeavours towards the training of young, talented pianists.
1943
Mexico
Arrau's performances of Carlos Chávez's Piano Concerto under the composer's baton, with the Mexican National Symphony Orchestra [Orquesta Sinfónica Nacional de México] on 1st, 3rd, 7th and 15th August.
[This entry needs corroboration]
1943
Mexico
Recitals on 21st, 25th, 30th and 31st of August.
[This entry needs corroboration]
1943
U.S.A.
Arrau writes a short article on the prospects of South American music, published in The New York Times of 17th October.

1943

 

 

 

 


U.S.A.

 

 

 

 


Carnegie Hall recital on 27th October, with a program comprising:
Mozart's  Rondo in A minor
>  Beethoven's  Eroica Variations
>  Chopin's  [not stated] in F minor
>  Liszt's  Jeux d'eau ŕ la villa d'Este
>  Bus0ni's  transcription of Liszt's Mephisto Waltz
>  a Debussy's piece,
>  Juan Lecuna's  Suburbio*
>  Juan-José Castro's  Tocata*
>  Domingo Santa-Cruz's  Vigneta No. 4* (from Op.8), and
>  Granados's  El pelele (from Goyescas).
*These three composers are from
Venezuela, Argentina and Chile, respectively. The first two dedicated the above compositions to Claudio Arrau.
[Somewhat less than a wholehearted review by critic Olin Downes in The New York Times of 28th October]
1943
U.S.A.

Recital at the Kleinhans Music Hall, Buffalo, N.Y., on 9th November, interpreting the following program:

>  Mozart,  Rondo in A minor
Beethoven,  
Variations and Fugue Op 35 Eroica Variations

>  Chopin,  Ballade in F minor
>  Chopin,  Scherzo in E major
>  Liszt,  Jeux d'eau à la Villa d'Este
>  Liszt,  Mephisto Waltz


Intermission

>  Debussy, Estampes:
>  >  >  >  >  >Pagodes. La soirée dans Granade. Jardins sous la pluie.
>  Albéniz,  El puerto (from Iberia)
>  Albéniz,  Fête-Dieu à Seville (from Iberia)
>  Granados,  El pelele (from Goyescas)

1943
U.S.A.

Recital at the Hill Auditorium, Ann Arbor, Michigan, on Friday 3rd December at 8:30 pm, as part of the Sixty-Fifth Annual Choral Union Concert Series presented by the University Musical Society.

The programme consisted of the following works:


>  Mozart,  Rondo in A minor
Beethoven,  Variations and Fugue Op 35 Eroica Variations

>  Chopin,  Ballade in F minor
>  Chopin,  Scherzo in E major
>  Liszt,  Jeux d'eau à la Villa d'Este
>  Liszt,  Mephisto Waltz


Intermission

>  Debussy, Estampes:
>  >  >  >  >  >Pagodes. La soirée dans Granade. Jardins sous la pluie.
>  Albéniz,  El puerto (from Iberia)
>  Albéniz,  Fête-Dieu à Seville (from Iberia)
>  Granados,  El pelele (from Goyescas)

1943
U.S.A.
The New York Times of 12th December reports that pianist Claudio Arrau has added Nikolai Lopatnikoff's newly composed piano sonata to his repertoire and is playing it on tour.
1943/4
U.S.A.
Recital as part of the 1943-1944 Aaron Richmond Celebrity Series of Boston.  http://www.celebrityseries.org/CS_aboutus/archives.htm#
1943/4
U.S.A.
Performance in New York at the Peoples' Symphony Concerts, as part of the Artists' Series.
1944    

1944

 


U.S.A.

 


Claudio Arrau and Joseph Szigeti performed at the N.Y. Town Hall on 30th January the first of a 3-part series, presented by the New Friends of Music, comprising all 10 Beethoven's sonatas for violin and piano.
Today's program consisted of:
>  Sonata in C minor Op 30 No. 2,
>  Sonata in A major Op 12 No. 2,
and
>  Sonata in G major Op 96.

[Appreciative review by R.L. for The New York Times of 31st January]
1944
U.S.A.
Wartime, live performance with Joseph Szigeti of Beethoven's Complete Sonatas for Violin and Piano Cycle, recorded by The Library of Congress, Washington, and first released by Vanguard on 4 LPs as SRV-300/3 in 1970-71.
1944
Chile
Recital at the Teatro Municipal of Santiago.
1944
Chile

Second recital at the Teatro Municipal of Santiago, with a programme which included the following works:

> Beethoven: Variations in F major Op.34
> Schumann: Fantasy in C major Op.17
Interval
> Chopin: Ballada in G minor
> Chopin: Fantasy in F minor Op.49
> Chopin: Three Études
Interval
> Ravel: Gaspard de la nuit (Ondine. Le gibet. Scarbo)
> Debussy: Dance
> Balakirev: Islamey (Oriental Fantasy)

1944
Chile
Concert at the Teatro Caupolicán of Santiago.
1944
Uruguay

First Grand Recital of pianist Claudio Arrau at the 'Teatro 18 de Julio' of Montevideo, as part of the 'Temporada de Grandes Conciertos de 1944', on Friday 26th May at 6:30 pm, with a programme consisting of:

Mozart:  Rondó en la menor
Beethoven:  15 variaciones con fuga Op.35

Chopin:  Balada en fa menor
Liszt:  Juegos de agua en la Villa del Este
Liszt:  Vals de Mefisto

Debussy:  Estampas (Pagoda. Noche en Granada. Jardines bajo la lluvia)
Ravel:  Juegos de agua

Granados
:  La maja y el ruiseñor (de Goyescas)
Granados:  El pelele (de Goyescas)

1944
Argentina

Performance as part of a series of six subscription recitals at the 'Teatro Colón' of Buenos Aires.   The program included works by Mozart, Weber, Chopin, Schubert, and Liszt.

1944
Argentina

Fifth in a series of six subscription recitals at the 'Teatro Colón' of Buenos Aires on Saturday 3rd June at 17:45 hrs.  The program included:

> Bach:  Suite inglesa en la menor
> Beethoven:  Sonata para piano No.26 en mi bemol mayor El adiós
> Schumann:  Estudios sinfónicos Op.13
> Liszt:  Balada en si menor
> Chopin:  Balada en la bemol
> Poulenc:  Capricho italiano (de la Suite Napoli)

1944
Chile

Concert performances at the 'Teatro Municipal' of Santiago on Friday 23rd June at 6:45 pm, as part of the Winter Season sponsored by the 'Instituto de Extensión Musical' of the Chilean National University, with Chile's Symphony Orchestra [Orquesta Sinfónica de Chile] conducted by Armando Carvajal.  The programme consisted of:
I
> Mozart:  Concierto para piano y orquesta en la mayor, K.488
II
> Beethoven:  Concierto para piano y orquesta No.3 en do menor, Op.37
III
> Brahms:  Concierto para piano y orquesta No.1 en re menor, Op.15

1944
Uruguay

Second Grand Recital of pianist Claudio Arrau at the 'Teatro 18 de Julio' of Montevideo, as part of the 'Temporada de Grandes Conciertos de 1944', on Monday 29th June at 6:30 pm.

1944
Mexico
Recital on 19th September.
[This entry needs corroboration]
1944
Mexico
Performance of Fauré's Ballade for Piano and Orchestra Op.19 with Mexico's National Symphony Orchestra [Orquesta Sinfónica Nacional de México] under Carlos Chávez on the 1st and 3rd September.
[This entry needs corroboration]
1944
Mexico
Performance of Carlos Chávez's Piano Concerto with Mexico's National Symphony Orchestra [Orquesta Sinfónica Nacional de México] under Carlos Chávez on the 8th and 10th September.
[This entry needs corroboration]
1944
Mexico
Complete Cycle of 21 Mozart Concertos in September.
[This announced cycle is unlikely and needs corroboration]

1944

 

 


U.S.A.

 

 


On 14th November, Arrau's first Carnegie Hall Recital of the season, presenting the following program:
>  Beethoven's Variations in F minor Op 34,
>  Beethoven's Sonata in E flat Op 81a Les adieux,
>  Schumann's Carnaval,
>  Albéniz's Almería (from Iberia),
>  Ravel's Alborada del gracioso, and
>  Debussy's preludes Voiles and Les collines d'Anacapri.
[Critic M.A.S. from The New York Times writes a mixed review on 15th November, favouring Arrau's interpretations of Latin works as against those of German works].
1944 U.S.A.  Performances of Beethoven’s Piano Concerto No. 4 and Brahms Piano Concerto No. 2, with Eugene Goosens conducting the Cincinnati Symphony Orchestra.
1944 U.S.A.  Performance of Schumann’s Piano Concerto with Karl Krueger conducting the Detroit Symphony Orchestra.
[Artone, MCPS. 24 Bits 96 Khz. 222367-354/3. 2005]

1944


U.S.A.


Carnegie Hall Concert on 12th December with The Philadelphia Orchestra conducted by Eugen Ormandy and a performance of Chopin's Piano Concerto No. 1 in E minor.
[Enthusiastically reviewed by critic Olin Downes in The New York Times of 13th December]
1944/5 U.S.A.  Performance at the Omaha Performing Arts Society Centre, Nebraska, as part of the Tuesday Musical Concert Series.
1945    
1945
World
After World War II, Arrau pursues an eminent international career which establishes him as one of the premier masters of the piano.

1945

 


U.S.A.

 


The New Friends of Music presented distinguished musicians Josef Szigeti and Claudio Arrau in four of Mozart's 18 sonatas for violin and piano at The New York Town Hall on 11 February. The program consisted of:
>  the Great Sonata in B flat KV 454,
>  early Sonata in G,
>  early Sonata in B flat, and
>  late Sonata in A major KV 586.

Superlative review by critic E.L. in The New York Times of 12 February.

1945

U.S.A.

Carnegie Hall performance of Igor Stravinsky's Serenade in A for Piano (1925 First Edition).  
The program also included Stravinsky's Duo Concertante for violin and piano (1932), performed with violinist Joseph Szigeti.

1945

 

 

 

 

 


U.S.A.

 

 

 

 

 


A typical recital program at this stage in Arrau's career was the following one, performed at the Newark Mosque Theatre in New Jersey on Sunday 18th February at 04:00 pm:

>  Mozart's  Rondo in D minor KV485
>  Brahms's  Variations and Fugue on a Theme of Handel Op.24

>  Chopin's  Ballade in A flat major
Chopin's  Scherzo in E major
>  Liszt's  Au bord d'une source
>  Liszt's  Mephisto Waltz

Intermission


>  Ravel's  Jeux d'eau
>  Debussy's  Feux d'artifice
>  Albéniz's  El puerto (from Iberia)
>  Granados's
  El pelele (from Goyescas).

1945 U.S.A. As part of the 103rd Carnegie Hall Season 1944/45, performances of Fauré’s Ballade for Piano and Orchestra, and Strauss's Burleske for Piano and Orchestra, with the New York Philharmonic Orchestra and George Szell conducting, on the 8th and 9th of March.
http://www.sickinger.com/nypoconcerts.html
1945 U.S.A. As part of the 103rd Carnegie Hall Season 1944/45, performance of Strauss's Burleske for Piano and Orchestra in D minor, and Weber’s Konzertstück for Piano and Orchestra Op.79, with the New York Philharmonic Orchestra and George Szell conducting, on the 11th of March at 3:00 pm.
http://www.sickinger.com/nypoconcerts.html
11.03.1945 - CD WHRA 6037, released in January 2011.
1945
Chile
Two sold-out recitals at the 'Teatro Municipal' of Santiago, on 10th and 12th July.

1945

 

Mexico

 

Performances presented by the ‘Asociación Musical Daniel’ of the complete Beethoven’s piano concerto cycle, at the Palacio de Bellas Artes of Mexico City, with Jascha Horenstein conducting the Mexico Philharmonic Orchestra [Orquesta Filarmónica de México] and Choir:
>  Piano Concertos Nos. 1 and 4, on Friday 21st September
>  Piano Concertos Nos. 2 and 3, on Tuesday 25th September
>  Piano Concerto No. 5, on Friday 28th September
>  Choral Fantasy with piano and orchestra Op. 80, on Friday 5th October.

1945

Mexico

Performance of Beethoven's Piano Concertos Nos. 3 and 5 at the 'Teatro Metropólitan', Mexico DF, presented by the ‘Asociación Musical Daniel’, with Jascha Horenstein conducting the Mexico Philharmonic Orchestra [Orquesta Filarmónica de México] on Sunday 30th September at 11:15 am (low-fee admission matinée) .

The all-Beethoven programme comprised:
>  Piano Concerto No.3
>  Symphony No. 7
>  Piano Concerto No.5 The Emperor

1945

Mexico

Members of the 'Orquesta Sinfónica de Xalapa' formed the 'Claudio Arrau Friendly Society' in Xalapa, Veracruz.

1945

 

Mexico

 

Performance presented by the ‘Asociación Daniel A.C.’ of Beethoven's Piano Concerto No.1 and Liszt's Totentanz, at the 'Teatro Lerdo' of Xalapa, with José Yves Limantour conducting the 'Orquesta Sinfónica de Xalapa', on Monday 1st October.
1945 U.S.A.

As part of the 104th Carnegie Hall Season 1945/46, performances of Beethoven’s Piano Concerto No.1, with the New York Philharmonic Orchestra and George Szell conducting, on 8th, 9th and 11th of November.
http://www.sickinger.com/nypoconcerts.html
11.11.1945 - CD WHRA 6037, released in January 2011.

1945/6
U.S.A.
Recital with violinist Joseph Szigeti, as part of the 1945-1946 Aaron Richmond Celebrity Series of Boston.
http://www.celebrityseries.org/CS_aboutus/archives.htm#
1945/6
U.S.A.
Performance in New York at the Peoples' Symphony Concerts, as part of the Artists' Series.
1946    
1946 U.S.A. Concerto performances at the Kansas Music Hall with the Kansas City Philharmonic Orchestra on 1st and 2nd January.
1946 U.S.A. Recital at the Los Angeles Philharmonic Auditorium on 29th January, with a program comprising the following works:

>  Bach:  Chromatic Fantasy and Fugue
Beethoven:  Sonata Op.57 Appassionata

>  Schumann:  Carnaval

>  Ravel:  Ondine
Debussy:  Feux d'artifice
Granados:  The Maiden and the Nightingale (from Goyescas)
>  Poulenc:  Caprice Italien (from 'Suite Napoli')
1946 U.S.A. Performances of Weber’s Konzertstück Op 79 and R.Strauss’s Burleske, with Désiré Defauw conducting the Chicago Symphony Orchestra.
1946 U.S.A. Performance of Liszt’s Piano Concerto No. 1, with Milton Forstat conducting the Utah Symphony Orchestra.
1946 U.S.A. Performance of Brahms’s Piano Concerto No. 2 with the Minneapolis Symphony Orchestra under Dimitri Mitropoulos.
1946 U.S.A.

Performance at the Kleinhans Music Hall of Buffalo, New York, on 12th March, of a program including:
>
 Bach's Chromatic Fantasy and Fugue,
>  Schumann's Symphonic Etudes in the form of variations, and
>  Prokofieff's Sonata No. 2 in D major Opus 94 for violin and piano,
    with Joseph Szigeti, violin.

1946 U.S.A. Performance at the Philadelphia Academy of Music on 15th March.
1946
Argentina

Recital at the Teatro Colón of Buenos Aires with a program including works by Bach, Beethoven, Schumann, Debussy, Granados, and Albéniz.

1946
Argentina

Recital at the Teatro Colón of Buenos Aires with a program including works by Mozart, Schumann, Chopin, Debussy, Satie, and Ravel.

1946
Argentina

Performance of Beethoven's Piano Concerto No.4 and Liszt's Piano Concerto No.2, at the 'Teatro El Círculo' of Rosario on Thursday 27th June, with the Rosario Symphony Orchestra conducted by Maestro José Francisco Berrini, as part of the 15th Cycle presented by the Rosario Symphony Association.

1946
Argentina

Performance of Beethoven's complete piano concerto cycle, as part of the Beethoven Festival held at the 'Teatro Gran Rex' of Buenos Aires on Sundays 16th, 23rd and 30th of June at 10:30 am, with the Buenos Aires Symphony Association Orchestra [Orquesta de la Asociación Sinfónica de Buenos Aires] conducted by Joscha Horenstein.

Sunday 16th June -
> Piano Concertos No.1 Op.15 and No.4 Op.58

   Overture Leonore No.3 and Seventh Symphony Op.93

Sunday 23rd June -
> Piano Concertos No.2 Op.19 and No.3 Op.37
    Sixth Symphony Op.68

Sunday 30th June -
> Piano Concerto No.5 Op.73
    Overture Egmont Op.84 and Fifth Symphony Op.67

1946


Argentina


Outdoor concert in benefit of the European Relief, at the Buenos Aires' Estadio Luna Park on Sunday 30th June, before a 25,000-strong audience (hitherto the largest in the history of the City), with the Teatro Colón Orchestra under Jascha Horenstein interpreting Beethoven's Emperor Concerto.
[ News report in The New York Times of 3rd July]

1946

Argentina

Extraordinary recital at the 'Teatro Gran Rex' of Buenos Aires on Tuesday 2nd July at 10:00 pm.
[This entry needs corroboration]

1946

Argentina

Performance of Grieg's Piano Concerto at the 'Teatro Gran Rex' of Buenos Aires on Sunday 7th July at 10:30 am, with the Buenos Aires Symphony Association Orchestra [Orquesta de la Asociación Sinfónica de Buenos Aires] conducted by Jascha Horenstein, as part of an extraordinary concert which also included Tschaikowsky's Symphonie Patétique and Wagner's Prélude to The Master Singers.
[This entry needs corroboration]

1946

Argentina

Performance of Brahms's Piano Concerto No.2 at the 'Teatro Gran Rex' of Buenos Aires on Tuesday 9th July at 10:30 am, with the Buenos Aires Symphony Association Orchestra [Orquesta de la Asociación Sinfónica de Buenos Aires] conducted by Jascha Horenstein, as part of an extraordinary concert which also included Strauss's Don Juan Symphonic Poem and Schubert's Unfinished Symphony.
[This entry needs corroboration]

1946 Chile

Recitals at the Teatro Municipal of Santiago on the following dates:

13th July:

15th July:
Mozart, Beethoven, Mendelssohn, Liszt, Stravinsky, Ravel, Poulenc.

17th July:
Haydn, Beethoven, Schumann, Fauré, Ravel, Albéniz, and Debussy.

18th July:
> Bach:  Chromatic Fantasy and Fugue
> Beethoven:  Sonata Appassionata
> Chopin:  Fantasy
> Chopin:  Impromptu
> Chopin:  Étude
> Chopin:  Nocturne
> Chopin:  Scherzo
> Liszt:  Au bord d'une source
> Albéniz:  Navarra
> Granados:  El pelele

[This entry needs corroboration and completion]

1946

U.S.A.

Unprecedented performances of both Brahms’s Piano Concertos in the one program, with the Philadelphia Robin Hood Dell Orchestra, at the Philadelphia Fairmount Park, on or around 9th August.
[Time magazine archives, 12 August issue]
1946 Chile The Revista Musical Chilena of September 1946 criticises the insufficient 20th century compositions included in the programmes recently performed by Arrau in Chile.  One of the programmes included Stravinsky's Serenata.

1946

Mexico

Recitals on the 19th, 20th, 24th and 30th of September.
[This entry needs corroboration and completion]

1946

 

 

 


U.S.A.

 

 

 


Recital at the Carnegie Hall, New York, on 20th October, with an extensive program comprising works by:
>  Liszt  Variations on a theme by Bach
>  Mendelssohn  Rondo capriccioso
>  Schumann  Faschingsschwank aus Wien
>  Brahms  Paganini variations
>  Fauré  Impromptu No. 1
>  Debussy  Two Études
>  Robert Palmer  Toccata ostinato for piano
(first ever public      performance)
>  Albéniz   Navarra
>  Granados   El pelele

Acclaimed by critic Noel Straus, in The New York Times of 21st October, for masterly performances of contrasting styles.

1946 U.S.A. Performed one of Brahms’s piano concertos with the New York City Symphony Orchestra conducted by Leonard Bernstein at the City Center.
1946 U.S.A. Performance with the Pittsburgh Symphony Orchestra under Fritz Reiner on 27th October.
[Carnegie Library of Pitssburgh]
1946 U.S.A. Performances of Beethoven’s Piano Concerto No. 3 (on 12th and 13th December) and Liszt’s Piano Concerto No. 2 (on 15th December), with the New York Philharmonic Orchestra and George Szell conducting, as part of the 105th Carnegie Hall Season 1946/47.
http://www.sickinger.com/nypoconcerts.html
15.12.1946 - CD WHRA 6037, released in January 2011.
1946/7
Scotland
First performance at the Edinburgh Festival, during its inaugural season.
1946/7
U.S.A.
Performance in New York at the Peoples' Symphony Concerts, as part of the Artists' Series.
1946/51
U.S.A.
Recordings of works by Beethoven, Brahms, Debussy, Chopin, Ravel, and Schumann for U.S. Columbia Masterworks (1946-51), as well as Books I and II of Albéniz' Iberia for Odyssey (in 1946-47).
1947    
1947
England
Layout of Claudio Arrau's International Subscription Celebrity Concerts UK tour in January:

5th January, 3:00 pm, Royal Albert Hall, London
7th January, 7:00 pm, Sheffield City Hall
8th January, 6:45 pm, Philharmonic Hall, Liverpool
11th January, 3:00 pm, Usher Hall, Edinburgh
13th January, 7:30 pm, St Andrew's Hall, Glasgow
14th January, 7:00 pm, Newcastle City Hall
17th January, 8:00 pm, Belfast Assembly Hall
19th January, 3:00 pm, Royal Opera House, Covent Garden, London
20th January, 7:00 pm, Birmingham Town Hall
1947
England
Performance of Beethoven's Piano Concerto No.4 at The Royal Albert Hall of London, on Sunday 5th January at 3:00 pm, as part of the 1946-47 Sunday Orchestral Concerts series, under the batton of Malcolm Sargent.
The programme also included Smetana's Overture 'The Bartered Bride', Borodin-Sargent's Nocturne, and Dvorak's Symphony No.4.
1947
England

Recital at the Sheffield City Hall, on Tuesday 7th January at 7:00 pm, as part of the International Subscription Celebrity Concerts, with a programme consisting of the following works:

Bach
: Chromatic Fantasy and Fugue
Beethoven: Sonata Op.57 Appassionata
Chopin: Ballade in A flat major
Chopin: Berceuse
Chopin: Scherzo in E major
Chopin: Two études - Op.25 No.5 and Op.10 No.4
Interval
Ravel: Alborada del gracioso

Debussy: Two études - Pour des cinq doigts. Por les octaves.
Albéniz: Navarra (original version)
Granados: El pelele (from 'Goyescas')

1947
England

Recital at the Royal Opera House, Covent Garden, London, on Sunday 19th January at 3:00 pm, forming part of the International Subscription Celebrity Concerts, with a programme including the following works:

Bach
: Chromatic Fantasy and Fugue
Mozart: Sonata in B flat major K.570
Brahms: Variations on a Theme by Paganini, Book 2
Schumann: Carnaval Op.9
Debussy: Ondine
Debussy: Two études
Ravel: Alborada del gracioso

Poulenc: Suite 'Napoli'

1947
England
Performance in London of Beethoven's Piano Concerto No.5 on 22nd January, as part of the BBC Concert Series, under the batton of Sir Adrian Cedric Boult.

1947


England


The March issue of the English magazine The Gramophone shows Claudio Arrau on the cover page. COn page 149, critic Alec Robertson appraises Arrau's HMV recording of Schumann's Piano Concerto with the Detroit S.O. conducted by Karl Krueger.HRobertson finds Arrau "a rich artist", able to produce the frequently missing feeling of chivalric impulse needed for this often feminized work.
1947
England
Records his first Brahm's Piano Concerto No.1, with the Philharmonia Orchestra conducted by Basil Cameron for HMV.
1947
U.S.A.
Moves family from Forest Hill (Queens, NY) and settles in Douglaston (Long Island, NY).
1947
Australia
Second tour of Australia.
1947 Argentina Recitals in Buenos Aires.
1947

Chile

Recitals in Santiago.
1947 U.S.A. Piano recital at the Symphony Hall of Boston on Sunday 2nd November, as part of the Celebrity Series presented by Aaron Richmond.  The programme consisted of the following works:

I
Mozart
:  Rondo in A minor K.511
Beethoven:  Sonata in E flat Op. 81a Les adieux
Brahms:  Variations on a Theme of Paganini, Book II
II
Mendelssohn:  Rondo capriccioso
Schumann:  Faschingschwank aus Wien Op.26
Intermission
III
Ravel:  Pavane pour une infante defunte

Albéniz:  Navarra (original version)
Robert Palmer:  Toccata ostinato
Debussy:  Two études
Debussy:  L' isle joyeuse
1947 U.S.A. Performance of Weber’s Konzertstück Op 79 with Erich Kleiber conducting the NBC Symphony Orchestra.
1947 U.S.A. Performances of Chopin’s Andante spianato & Grande polonaise brillante Op 22 and Weber’s Konzertstück Op 79, with Thomas Scherman conducting The Little Orchestra Society of New York (established by Scherman in 1947).
1947 U.S.A. Performance of Beethoven’s Piano Concerto No. 3 with Eugene Ormandy conducting the Philadelphia Symphony Orchestra.
1947 U.S.A. Performance with the Pittsburgh Symphony Orchestra conducted by Fritz Reiner on 27 December.  [Carnegie Library of Pitssburgh]
1947/8 U.S.A. Concerto performance in Spartanburg City, with the Minneapolis Symphony Orchestra, as part of the 1947-48 Concert Series under the auspices of the Spartanburg Civic Music Association, South Carolina.
1947/8
U.S.A.
Recital as part of the 1947-1948 Aaron Richmond Celebrity Series of Boston.  http://www.celebrityseries.org/CS_aboutus/archives.htm#
1948    

1948

 

 

 

 


U.S.A.

 

 

 

 


Carnegie Hall Cycle:
Two centuries of piano literature,
from J. S. Bach to A. Schönberg


First recital on ...

Second recital on 6th February with a program consisting of:
>  Bach's Prelude and Fugue in A minor (independent)
>  Mozart's Sonata in D major KV 576
>  Beethoven's Sonata in E flat major Op 27 No. 1
Ravel's Gaspard de la Nuit
>  Bartók's Allegro barbaro
>  Albéniz's Fęte-dieu ŕ Seville
>  Debussy's L'isle joyeuse and Masques, and
>  Poulenc's Caprice Italien.
News report on The New York Times of 7th February.
1948 Netherlands Performance of Beethoven’s Piano Concerto No. 5 with the Concertgebouw Orchestra of Amsterdam under Edward van Beinum.
Audience and musicians alike stood up to applaud and cheer Arrau for a 12-minute ovation.
1948 Scotland Performance of Brahms’s Piano Concerto No. 1 with the Royal Scottish National Orchestra conducted by Alexander Gibson.
1948 England Performance of Brahms’s Piano Concerto No. 2 with the London Symphony Orchestra and Artur Rodzinski conducting.
1948 Chile

Recitals on the 16th, 17th, 20th, 23rd, 24th, 26th, and 27th June.

17th June:
> Bach: Prélude and Fugue in A minor
> Beethoven: Sonata in E flat major
> Liszt: Jeux d'eau à la villa d' Este
> Albéniz: Iberia Book I (three movements)
> Debussy: Masques
> Debussy: Études

[This entry needs corroboration and completion]

1948 Chile Performances in Santiago of Beethoven’s Piano Concerto No.5 Op 73 and Brahms’s Piano Concerto No. 2 Op.83, with Chile's Symphony Orchestra [Orquesta Sinfónica de Chile] conducted by Víctor Tevah Tellias on the 18th of June.
[This entry needs corroboration]
1948 Chile Performances in Santiago of Schumann’s Piano Concerto Op 54 and Brahms’s Piano Concerto No. 2 Op.83, with Chile's Symphony Orchestra [Orquesta Sinfónica de Chile] conducted by Víctor Tevah Tellias on the 27th of June.
[This entry needs corroboration]
1948 Chile/Mexico Appointed Honorary Cultural Attaché of Chile in Mexico [with the Chilean Embassy in Mexico].
1948 Mexico Recitals on the 17th, 19th, 23rd, and 31st August.
[This entry needs corroboration]
1948 Mexico Concert performance with Mexico's Philharmonic Orchestra [Orquesta Filarmónica de México] conducted by José Ives Limantour on the 17th, 19th, 23rd, and 31st August.
[This entry needs corroboration]
1948 U.S.A.  Performance of Beethoven’s Piano Concerto No. 3 with the Cincinnati Symphony Orchestra under Thor Johnson.
1948 Scotland  Performance of Brahms’s Piano Concerto No. 1 with The Scotish Symphony Orchestra under Walter Susskind at the Saint Andrews Hall of Glasgow on Saturday 9th October.  [The program also included Elgar's Symphony No.2]
1948 England  Performance of Brahms’s Piano Concerto No. 1 with The BBC Symphony Orchestra under Sir Adrian Boult at the Royal Albert Hall on Wednesday 13th October at 8 pm.  
The program also included three symphonic works: Beethoven's Symphony No.8, Debussy's La Mer, and Ravel's Alborada del gracioso.
1948 England  Performance of Brahms’s Piano Concerto No. 2 with the London Symphony Orchestra under Josef Krips at the Royal Albert Hall on Sunday 5th December at 3 pm.
The programme also included Beethoven's Overture Leonora No.3 and Tchaikovsky's Symphony No.5.
1948 England 

Only recital this season at the Royal Opera House, Covent Garden, on Sunday 12th December. The program comprised the following works:

>  Mozart, Sonata in D major K.376
>  Beethoven, Sonata in E flat Op.81 (Les adieux)
>  Mendelssohn, Rondo capriccioso
>  Chopin, Scherzo No.4 in E major
>  Liszt, Les jeux d'eaux a la villa d'este
Liszt, Mephisto Waltz
>  Ravel, Pavane pour une infante defunte
Bartók, Allegro barbaro
>  Debussy, Three préludes: Voiles, La puerta del vino, Feux d'artifice
>  Granados, El pelele.

1948 Italy  Eight recitals in eight days.
1948/9 U.S.A.  Recital as part of the 1948-1949 Aaron Richmond Celebrity Series Boston.
 http://www.celebrityseries.org/CS_aboutus/archives.htm#  
1949    
1949
U.S.A.
Piano recital at Carnegie Hall, New York, on Sunday 27th March with a program consisting of works by Mozart, Liszt, Chopin, Fauré, Debussy and Ravel, plus three encores.
[Highly appreciative review in The New York Times of Monday 28th March]
1949 U.S.A. Performance of Chopin’s Piano Concerto No. 1 with the Minneapolis Symphony Orchestra conducted by Dimitri Mitropoulos.
1949 U.S.A. Performance of Beethoven’s Piano Concerto No. 2 with the San Francisco Symphony Orchestra conducted by Pierre Monteux.
Tuesday 12th April and Monday 18th April, both at 8:30 pm.
1949 U.S.A. Performance of Brahms’s Piano Concerto No. 2 with Eugene Ormandy conducting the Philadelphia Symphony Orchestra.
1949
U.S.A.
Performance of Beethoven's Concerto No. 4 under Serge Koussevitzky conducting the Boston Symphony Orchestra at the Berkshire Fete, Lenox, Massachusetts, on 30th July.
[Review by Ross Parmenter in The New York Times of 1st August]
1949
South Africa

For the first time in South Africa, series of concerts in August and September.  The tour consisted of seven sold out concerts in Johannesburg and three sold out concerts in Cape Town.
This tour made Arrau known to audiences in five continents, the first celebrated pianist of his generation to achieve such a record and the only pianist in history to attain such accomplishment before the age of 50.

1949
Mexico
Named Hijo Predilecto de México, the highest Mexican arts award.
1949
Venezuela
Performance/s in Caracas
[This entry needs corroboration/completion]
1949
Chile
Awarded the degree of Doctor Honoris Causa by the Chilean National University in Santiago.
1949 Netherlands Performances of Chopin’s Piano Concerto No. 2, R.Strauss’s Burleske in D minor, and Liszt’s Piano Concerto No. 2, with The Royal Concertgebouw Orchestra of Amsterdam [Das Königliche Concertgebouw Orchester Amsterdam] under Edward van Beinum.
1949 France Performance of Chopin’s Piano Concerto No. 1 with L'Orchester de la société des concerts du conservatoire and André Cluytens conducting. http://arrausite.free.fr/Index.html
1949 England Recital on Sunday 9th October at the Theatre Royal, Drury Lane, London.
1949 England Performances of Schumann’s Piano Concerto, with The Halle Orchestra under Sir John Barbirolli, at the Sheffield City Hall on Saturday 3rd December at 7:00 pm.
1949 England Performances of Liszt’s Piano Concerto No. 2 and Chopin’s Piano Concerto No. 1, with the London Symphony Orchestra under Gaston Poulet, at the Royal Albert Hall on Sunday 11th December at 3:00 pm, as part of the 'Sunday Afternoon Orchestral Concerts', Season 1949-50.

The programme also included: Berlioz's Overture 'Carnaval Romain', C.Franck's morceau symphonique 'Redemption', and Wagner's prelude 'Lohengrin' and overture 'Tannhauser'.
1949 England Performance of Brahms's Piano Concerto No.2 at the Royal Albert Hall, with the BBC Symphony Orchestra conducted by Sir Adrian Boult, on Wednesday 14th December at 8:00 pm, as part of the Royal Philharmonic Society's 138th Season 1949-50.
The programme also included Schumann's Overture Genoveva Op.81 and Vaughan Williams's Symphony No.6.
1949 Scotland Performance of Brahms's Piano Concerto No. 2 Op.83, with The Scottish Orchestra conducted by Walter Susskind at Glasgow's St Andrew's Hall on Saturday 17th December at 7:30 pm, as part of The Choral and Orchestral Union of Glasgow's 1949-1950 Season.
1949 Scotland Performance of Beethoven's Piano Concerto No. 5 Emperor, with The Scottish Orchestra conducted by Walter Susskind at the Green's Playhouse of Glasgow on Sunday 18th December at 3:00 pm, this being the Season's 'Eleventh Sunday Concert'.
1950    
1950 U.S.A.

Recital in New York on 10th January at 8:30 pm, as part of the Carnegie Hall 1949-1950 season, with a program comprising the following works -
>  Haydn - Fantasia in C major
>  Beethoven - Sonata in C major Op 53 Waldstein
Schumann - Études symphoniques (12 études en forme de variations)
Satie - Sports et divertissements (first ever New York performance)
>  Debussy - Feux d'artifice
>  Ravel - Oiseaux tristes
>  Liszt - Études d'exécution trascendante Nos. 11 and 10.

1950 Mexico Performance of Weber's Konzertschtücke for Piano and Orchestra with the National Symphony Orchestra [Orquesta Sinfónica Nacional] conducted by José Ives Limantour on the 20th of February.
[This entry needs corroboration]
1950 Mexico Recital on the 22nd of February, including Satie's Sports and divertissements.
[This entry needs corroboration]
1950 Mexico Music critic Federico de Lachica highly praises the musical talents of ‘Maestro’ Claudio Arrau when reviewing his recital of 23rd February at the 'Gran Teatro Rex' of the Technological Artistic Society (SAT) in Mexico City.  The program consisted of:

> Mozart:  Rondo in A minor K.511
> Beethoven:  Piano Sonata in C Op 53 Waldstein/Aurore
> Schumann:  Symphonic Etudes Op.13
> Satie:  Sports et divertissements
> Debussy:  Masques
> Ravel:  Oiseaux tristes
> Liszt:  Études d'exécution transcendante Nos. 11 and 10
> Chopin/Liszt:  Mes joies

Review on page 4 of fortnightly ‘El Borrego’ No. 59, published at Colonia Alta Vista on 24th March by the Students Association of the Instituto Tecnológico de Estudios Superiors de Monterrey (ITESM), Mexico City.

1950 U.S.A. Cover page photograph of Claudio Arrau on the March edition of Musical America, New York, and brief biographical note on page 17.
1950 Chile Recitals in Santiago as part of the Winter Season.
1950 U.S.A. Shared recitals with soprano Lotte Lehmann and the Paganini Quartet at the Ravinia Festival, Chicago, on 8th, 10th, 12th and 13th August.

On 10th August, there were additional performances by Claudio Arrau and the Paganini Quartet of chamber works by Mozart and Schubert.
1950
Scotland
Second appearance at the Edinburgh Festival, with a recital at the Usher Hall on Sunday 27th August comprising:

>  Mozart:  Rondo in a minor K.511
>  Beethoven:  Sonata in E flat Op.81a Das Lebewohl/Les adieux
>  Schumann:  Phantasie Op.17
Interval
>  Ravel:  Miroirs -  Noctuelles, Oiseaux tristes, Une barque sur l'océan,
> Alborada del gracioso & La vallée des cloches.
>  Debussy: 
Préludes from Book 2 -  La puerta del vino & Feux d'artifice
1950
Scotland
As part of the Edinburgh Festival, performance at the Usher Hall of Beethoven's Piano Concerto No.3 with the Statsradiofonien Orchestra conducted by Erik Tuxen on Tuesday 29th August at 7:30 pm.
1950
England

Performance of Beethoven's Piano Concerto No.4 in G major with the Yorkshire Symphony Orchestra conducted by Maurice Miles at the Leeds Town Hall in West Yorkshire, on Friday 6th October at 11:00 am, as part of the Leeds Triennial Musical Festival.
The programme also included Brahms's Symphony No.2.

1950
England

Performance of Brahms's Piano Concerto No.2 in B flat Op.83 with the Liverpool Philharmonic Orchestra conducted by Hugo Rignold at the Liverpool Philharmonic Hall on Friday 10th October at 7:00 pm, as part of the 112th Season of the Liverpool Philharmonic Society's Second Tuesday Subscription Concert.

The programme also included -
Prokofieff's March from 'The Love of Three Oranges',
Bach-Klenovsky's 'Toccata and Fugue in D minor',
Martinon's 'Symphoniette Op.16 for strings, piano, harp and timpani', and Falla's suite 'The Three-Cornered Hat'.

1950
England

Performance of Beethoven's Piano Concerto No.5 in E flat with the BBC Symphony Orchestra conducted by Issay Dobrowen at the Royal Albert Hall on Wednesday 11th October at 8:00 pm, as part of the BBC Symphony Concerts Season 1950-51.
The programme also included - Beethoven's Overture Leonora No.3, and Mahler's 'The Song of the Earth'.

1950 England Performance of Brahms’s Piano Concerto No. 2 with the London Symphony Orchestra conducted by Josef Krips at the Royal Albert Hall on 15th October.
1950
England

Performance of Beethoven's Piano Concerto No.4 in G major with the Philharmonia Orchestra conducted by Alceo Galliera at the Royal Albert Hall on Monday 16th October at 7:30 pm, as part of the 'Mysore Concerts' Subscription Series 1950-51.
The programme also included - Reznicek's Overture Donna Diana, Debussy's Three Nocturnes, and Brahm's Symphony No.2.

1950 U.S.A. Performance of Chopin’s Piano Concerto No. 2 with the New York Philharmonic Orchestra under Fritz Busch.
1950 U.S.A. Performance of Brahms’s Piano Concerto No. 1, with the Minneapolis Symphony Orchestra and Antal Dorati conducting.
1950 U.S.A. Performances of Chopin’s Andante spianato and Grande polonaise brillante Op 22, Krakowiak concert rondo Op 14, and Variations on Là ci darem la mano Op 2, with the Cincinnati Symphony Orchestra under Thor Johnson.
1951    

1951

U.S.A.

Appearing in Aaron Richmond's Celebrity Series, at the Jordan Hall, New England Conservatory, Boston, Massachusetts, in the afternoon of Sunday 11th March.
http://www.celebrityseries.org/CS_aboutus/archives.htm#
1951 U.S.A.  Live p erformance of Schumann’s Piano Concerto Op 54, with the New York Philharmonic Orchestra at the Carnegie Hall on 18th March under Victor de Sabata.

1951

Mexico

Arrau's performance of Carlos Chávez's Piano Concerto under the composer's baton, with the Mexican National Symphony Orchestra [Orquesta Sinfónica Nacional de México] on 1st April at the Mexico City's Palacio de Bellas Artes.
Account by reporter William P. Varney in The New York Times of 2nd April.
1951 Italy

Performance at Teatro Lirico di Milano on 5th April, organised by the Società del Quartetto.  The programme comprised:

> Schubert: Allegretto in do minore
> Schumann: Fantasia Op.17

> Chopin:  Balata op.52
> Chopin:  Mazurca op.50
> Chopin:  Fantasia op.49
>
Chopin:  Scherzo op.54
> Debussy:  Images serie I
> Granados:  La maja y el ruiseñor
> Granados:  El pelele

1951
England

Special recital, as part of the Festival of Britain organised by the Orchestral Concerts Society Ltd in conjunction with The London Season of The Arts, at 8:00 pm on Friday 11th May at The Royal Festival Hall, with a programme consisting of:

From recital programme:
I
> Schubert:  Allegretto in C minor
> Beethoven:  Sonata in C minor Op.111
II
> Chopin:  Ballade in F minor No.4
> Chopin:  Mazurka in C sharp minor Op.41 No.3 (1841)
> Chopin:  Fantasy in F minor Op.49
> Chopin:  Scherzo No.4 in E major Op.54 (1843)
III
> Albéniz:  Iberia Book I -  Evocación, El puerto, Fête-Dieu à Séville
> Debussy:  La puerta del vino
> Granados:  The Maiden and the Nightingale (from Goyescas)
> Granados:   El pelele (from Goyescas)

From recital flyer:

Part II dedicated to Chopin works is shown as -
> Chopin:  Scherzo No.4 in E major Op.54
> Chopin:  Barcarolle Op.60
> Chopin:  Polonaise Fantaisie in A flat major Op.61
> Chopin:  Mazurka in C sharp minor Op.41 No.3
> Chopin:  Allegro de concert in A major Op.46

1951
England
Plays the complete Beethoven's sonata cycle plus the Diabelli Variations on BBC Radio to great acclaim.
1951
England
The Columbia Record Guide of May includes on page 12 an appraisal of Claudio Arrau's masterly command of the keyboard, and advertises the release of his recordings of Chopin's Scherzo No.4 Op.54 and My Joys on Columbia LX8792-3. [Photograph]
1951 England  Solo recital at the Royal Festival Hall of London on Friday 11th May at 8:00 pm, as part of the Festival of Britain Concert Series.

1951


Israel


First tour of Israel in May-June, performances including 6 recitals, one dedicated to Kibbutz Givat Brenner, and 11 concerts with the Israel Philharmonic under Paul Paray, starting with Beethoven's Concerto No. 4.
The tour is said to have created "some of the wildest scenes of audience enthusiasm ever seen in this country".
[News report in The New York Times of 15 June]
1951 England  Performances of Beethoven's Piano Concerto No.4 and Brahms's Piano Concerto No.2, with the London Philharmonic Orchestra under Sir Adrian Boult at the Royal Festival Hall of London on Wednesday 27th June at 7:30 pm, as part of the Festival of Britain Concert Series.

1951

 


U.S.A.

 


Performs Brahms's Piano Concerto No. 1 on 23rd July at the Lewisohn Stadium under Pierre Monteux conducting the Stadium Concerts Symphony. The audience demanded encores:
>  Mendelssohn's Rondo capriccioso,
>  Chopin's Etude in C sharp minor from Op 10,
>  Bartók's Allegro barbaro, and
>  Chopin-Liszt's My Joys.
Review by R.P. in The New York Times of 24th July.
1951 U.S.A.  Performance of Weber’s Konzertstück Op 79, with the New York Philharmonic Orchestra under Ivan Butekoff.
1951 U.S.A.  Performance of Brahms’s Piano Concerto No.1 with Thor Johnson conducting the Cincinnati Symphony Orchestra.

1951/2

U.S.A.  Performance at the Milton Academy of Boston, as part of the Gratwick Concert Series.
1951/2
U.S.A.
Celebrated monaural recordings of five Hungarian Rhapsodies by Liszt for Desmar, not released until 1978.
1951/60
England
Records works by Beethoven, Chopin, Debussy, Granados, Grieg, Liszt, Mendelssohn, Mozart, Schubert, and Tchaikovsky for English Columbia (EMI).
1952    
1952 U.S.A.  Performance of Weber’s Konzertstück Op 79, with the Minneapolis Symphony Orchestra and Antal Dorati conducting.
1952
U.S.A. 
Performances of Liszt’s Piano Concerto No. 1 and Fantasy in E minor on Hungarian Folk Tunes, with Eugene Ormandy conducting the Philadelphia Symphony Orchestra.
1952
U.S.A. 

Piano Recital on Friday 18th January at the Iowa Memorial Union, State University of Iowa, as part of the University Concert Course, with a program consisting of:

> Beethoven's Rondo in G major Op.51 No.2
> Beethoven's Sonata in F minor Op.57
> Mendelssohn's Rondo Capriccioso
> Mendelssohn's Song Without Words in G major
> Brahms's Variations on a Theme of Paganini, Book II
Intermission
> Debussy's Pour le piano
> Granados's The Maiden and the Nightingale
> Granados's El pelele

1952 USA Performance of Brahms’s Piano Concerto No.1 with Alexander Hilsberg conducting The Philadelphia Orchestra at the Carnegie Hall, New York, on 19th February at 8:30 o'clock, as part of the 1951-52 Season.
The Concerto was the last item in a program of orchestral works also including Wagner's Lohengrin Prelude to Act III, Schubert's Symphony No.5, and Bartok's Dance Suite for Orchestra.
1952 Italy

Recital at Teatro Nuovo di Milano, organised by the Società del Quartetto. The programme included, amongst other works:

> Beethoven:  Sonata No. 32 op.111
> Brahms:  Variazioni su un tema di Händel

1952 England

Performance in London of Brahms's Piano Concerto No.1 and Tchaikovsky's Piano Concerto No.1, at the Royal Albert Hall on Thursday 15th May at 7:30 pm, with the Royal Philharmonic Orchestra conducted by Walter Susskind, as part of the International Celebrity Music Festival.
The programme also included Beethoven's Overture 'Egmont' and Kabalevsky's Overture 'Colas Breugnon'.

1952 England

Recital at the Royal Festival Hall on Tuesday 27th May at 8:00 pm, with a programme consisting of:

>  Mozart:  Fantasie in D minor K397
>  Beethoven:  Sonata in F minor Op.57 Appassionata
>  Schubert:  Wanderer Fantasy Op.15
>  Ravel:  Gaspar de la nuit
>  Liszt:  Mephisto Waltz

1952 England Performance of Beethoven’s Piano Concerto No. 4 with Josef Krips conducting The Royal Concertgebouw Orchestra of Amsterdam [Das Königliche Concertgebouw Orchester Amsterdam].
1952
Austria
Second appearance at the Salzburg Festival on 27 AugustBeethoven's Piano concerto No. 4 under Igor Markevitch conducting the Vienna Philharmonic Orchestra [Weimer Philharmoniker].
1952
U.S.A.
The September issue of Américas magazine [published in Washington by The Pan-American Union, General Secretariat of the Organization of American States, in Spanish, English and Portuguese] contains an article by Cecil M. Smith, entitled 'Claudio Arrau, musical ambassador', surveying Arrau's extraordinary international career so far, basic biographical aspects, influence of Professor Martin Krause, deep interpretative approach to music, ample repertoire, exclusion of light music, and close links with native Chile and his mother.
[Spanish version:  Volume 4, No.9, pages 9 to 11 and 28, eight photographs]
1952
South Africa
Tour of South Africa, with nine sold-out concerts in Johannesburg alone, generously treated to the highest critical acclaim.
The Johannesburg Rand Daily Mail of 13 September contains a most appreciative assessment of Arrau's artistry in an article by P.B. entitled "Claudio Arrau, Aristocrat Among Pianists".
1952
U.S.A.

Recital at the Hill Auditorium, Ann Arbor, Michigan, onTuesday 25th November at 8:30 pm, as part of the Seventh Annual Extra Concert Series presented by the University Musical Society.  The programme included the following works:

>  Mozart,  Fantasy in D minor K.397
Beethoven,  Sonata in E flat major Op.81a Les adieux

>  Schumann,  Fantasy in C major op.17


Intermission

> Beethoven, Sonata in F minor Op.57 Appassionata

Note:  The University Musical Society had previously presented Claudio Arrau on 3rd December 1943.

1952/3
U.S.A.
Recital as part of the 1952-1953 Aaron Richmond Celebrity Series of Boston.  http://www.celebrityseries.org/CS_aboutus/archives.htm#
1952/3
U.S.A.
Records solo piano works by Beethoven and Chopin for the American Decca label.
1953    
1953 U.S.A.  On the occasion of the artists visit to Boston, The Boston Herald of 10th January publishes an article by Rudolph Elie appraising the extraordinarily unique qualities of Arrau's interpretation.
1953 U.S.A.  50th birthday subscription performance of Tchaikovsky's Piano Concerto No.1, with the Cincinnati Symphony Orchestra at the Music Hall on Friday 6th February.
Article by Henry S. Humphreys on The Cincinnati Times-Star of 7th February, entitled 'Claudio Arrau gives audience birthday party', refers to a "rich and delicious" rendition with " sparkling cadenzas" "from the gods".
1953 U.S.A.  Recital at the Page Auditorium of Duke University (Durham, North Carolina) on 26th February, kindly appearing for pianist Rudolph Serkin who reported ill, with an extensive program consisting of works by Beethoven, Mendelssohn, Brahms, Debussy, and Granados.
1953 Netherlands Performance of Beethoven’s Piano Concerto No. 2 with the Concertgebouw Orchestra of Amsterdam under Edward van Beinum.
1953 England Piano recital as part of the Thirty-third Season 1952-53 Oxford Subscription Concerts at the New Thetre on Thursday 21st MayThe programme consisted of the following works:

Mozart
: Rondo in D major, K.485
Beethoven: Sonata in E flat major Op.81a Les adieux
Schumann: Fantasia in C major Op.17
Interval
Debussy: Pour le piano [Prélude. Sarabande. Toccata]
Granados: The Maiden and the Nightingale & El pelele [from Goyescas]
Liszt: Mephisto Waltz
1953 England Performance of Beethoven’s Piano Concerto No. 5, with the London Symphony Orchestra conducted by Dr Karl Rankl (replacing an indisposed Josef Krips), as part of an all-Beethoven 'Grand Coronation Concert' held at the Royal Albert Hall on Sunday 31st May at 3:00 pm.
The programme commenced with Beethoven's Symphony No.8 and concluded with Beethoven's Symphony No.5.
1953
U.S.A.
Mother moves from Chile to live with the artist in New York.
1953 U.S.A.  Performances of Beethoven’s Piano Concerto No. 4 and Liszt’s Piano Concerto No. 2, with the New York Philharmonic Orchestra conducted by Guido Cantelli.
1953 U.S.A.  Performance of Tchaikovsky’s Piano Concerto No. 1 with the Cincinnati Symphony Orchestra conducted by Thor Johnson.
1953 U.S.A.  Performance of Mozart’s Piano Concerto No. 27 (K 595), with the National Symphony Orchestra [of Washington] conducted by H. Mitchell.  http://arrausite.free.fr/Index.html
1953 U.S.A.  Performance of Brahms’s Piano Concerto No. 2 with the Boston Symphony Orchestra and Charles Munch conducting.
1953 Israel 

Performance of Beethoven’s Piano Concerto No.3 with the Israel Philharmonic Orchestra and Rafael Kubelik conducting at the Ohel Shem Hall of Tel Aviv, on Monday 8th June, as part of the 1952/03 Season (subscription concert No.10).

The programme also included Martinu's Concerto for Two String Orchesters, Piano, and Timpani; and Dvorak's Symphony No.2.

1953 England 

Recital in London on Tuesday 30th June at 8:00 pm, at the Royal Festival Hall, with a programme including the following works:

> Mozart:  Sonata in D major K.576
> Beethoven:  Sonata in A flat major Op.110
> Schumann:  Carnaval Op.9
> Liszt:  Ballade No.2 in B minor
> Ravel:  Ondine
> Albéniz:  Fetes-Dieu a Seville
> Granados:  El pelele

An article by music critic Cecil Smith, entitled 'Quiet, please, for a Master', published in the London Daily Express of 1st July, appraises the recital as revealing amazing riches of musical thought and sentiment.

1953


U.S.A.


Performance of Brahms's Piano Concerto No.2 Op.83 at the Lewisohn Stadium (College of the City of New York), with the Stadium Concerts Symphony Orchestra conducted by Alexander Smallens, on Thursday 23rd July at 8:30 pm.
The all-Brahms programme also included Academic Festival Overture Op.80 and Symphony No.2 Op.73.

1953


U.S.A.


Performance on 9th August in the final concert of the Newport (Rhode Island) First Outdoor Music Festival, interpreting Liszt's Piano Concerto No. 1 under Remus Tzincoca conducting a sixty-member ensemble from the New York Philharmonic-Symphony Orchestra.
[News report in The New York Times of 10th August]
1953 Mexico Concerto performance with Mexico's Philharmonic Orchestra [Orquesta Filarmónica de México] conducted by J.F. Vázquez on the 20th and 27th of September.
[This entry needs corroboration]
1953 Mexico Recital on the 29th of September.
[This entry needs corroboration]
1953
U.S.A.
Writes an article in The New York Times of 11th October, entitled Beethoven Sonatas, whereby Arrau explains his views as to why a pianist should play all 32.
1953
U.S.A.

Recital at the St. Paul Auditorium Theatre of Minnesota on Tuesday 27th October, as part of The Schubert Club's 71st Season.   The program comprised the following works:
I.
>  Mozart's  Fantasy in D minor KV397
>  Beethoven's  Sonata in C minor Op.13 Pathetique
II.
>  Schumann's  Fantasy in C Op.17
III.
>  Beethoven's  Sonata in F minor Op.57 Appassionata

1953
India
First concert tour of India, in the company of wife Ruth, at the invitation of the Indian Head of State, Prime Minister Nehru and his daughter, Indira Gandhi, who attented Arrau's first recital in Delhi.  The programme consisted of works by Mozart and Beethoven.

1953-1954

U.S.A.

Performs the complete Beethoven sonata cycle at the New York Town Hall in a 'Grand Cycle of Seven Recitals', starting on Saturday 17 October 1953 and concluding on Saturday 13 February 1954.

Recitals on 17, 24, 31 October, 7 and 28 November, 5 December, and 13 February.

Rave reviews by Noel Strauss of The New York Times (18 October 1953), Francis Perkins of New York Herald Tribune (18 October 1953),
Winthrop Sargeant of The New Yorker (24 October 1953), and others.  News item on The New York Times of 14 February.

1953-1954

U.S.A.

Records the sound track piano parts for the 1954 MGM film Rhapsody, directed by Charles Vidor, including, amongst other composers', the only recordings ever made by Arrau of excerpts from Rachmaninoff's Piano Concerto No.2 and Scriabin's Etude No.12 Op.8. (1993 MGM/UA Home Video M201131).
1954    
1954
U.S.A.
Interprets Franz Liszt’s Totentanz for piano and orchestra (Danse Macabre), with the Little Orchestra Society and Thomas Scherman conducting at a New York public concert on 4th January.
Miles Kastendieck appraises a brilliant performance in the New York Journal-American of 6th January.
[Unique live recording held by the New York Public Library, Catalog No. LT-10 4205, duration: 16’15”]
1954 U.S.A.  Performance of Chopin’s Variations on “Là ci darem la mano” Op 2, with Thomas Scherman conducting The Little Orchestra Society of New York.
1954
Germany
First post-war, triumphant return public concerts in Berlin in March.  A total of three orchestral appearances.  Arrau received the welcoming of a homecoming hero.  Superlative critic acclaim.
1954 Germany

Performance of Brahms’s Piano Concerto No. 2 0n 14th and 15th March, with the Berlin Philharmonic [Berliner Philharmoniker] conducted by Milan Horvat (from Dublin).  A 12-curtain-call ovation.  

Accolades from the critic through articles published on 15th March by the Neue Zeitung (H.H.Stuckenschmidt), The Berlin Kurier, and the Spandauer Volkesblatt.

1954 Germany

Sold-out recital in Berlin on 24th March, with a program consisting of:

>  Mozart:  Rondo
>  Bethoven:  Appassionata Sonata
Schumann:  Fantasy
Debussy:  Pour le piano
Ravel:  Jeux d'eaux
Mendelssohn:
>  Liszt:
>  Encores

Unanimously superlative reviews of the entire recital published on 26th March in the following media:  The Berlin Telegraf,  Tagesspiegel,  Der Abend,  Spandauer Volksblatt,  Neue Zeitung,  The Kurier,  Der Tag, and others.

1954 Switzerland Performance of Beethoven’s Piano Concerto No.3 with L'Orchestre de la Suisse Romande conducted by Ataúlfo Argenta.
1954 Switzerland Performances of Beethoven’s Piano Concerto No.4 and Liszt’s Totentanz for piano and orchestra, with the Zurich Townhall Orchestra [Tonhalle-Orchester Zürich] conducted by Hans Rosbaud.
1954 England Performance of Brahms’s Piano Concerto No.1 with the Liverpool Philharmonic Orchestra conducted by Hugo Rignold on 20th April, this being the Sixteenth Tuesday Subscription Concert of the Liverpool Philharmonic's 115th Season.
1954 England Performance of Brahms’s Piano Concerto No.1 with the Philharmonia Orchestra conducted by Rafael Kubelik, an International Celebrity Concert at the Royal Albert Hall on Sunday 2nd May at 7:30 pm.
The programme also included Brahms's Academic Festival Overture and Symphony No.1.
1954 England

Performance of Beethoven’s Piano Concerto No.5 with the London Symphony Orchestra at the Royal Festival Hall under Josef Krips on 28th May at 8:00 pm.
The all-Beethoven programme also included Symphonies Nos. 6 and 8.

1954
U.S.A.
Performance at the Berkshire Festival in Lenox, Massachusetts, on 11 July, of Beethoven's Emperor Concerto under Pierre Monteux conducting the Boston Symphony Orchestra.
[Most positive review of Monteux and Arrau by Olin Downes for The New York Times of 12th July]
1954 Scotland

Performance of Chopin’s Piano Concerto No.2 with the Hamburg Radio Symphony Orchestra conducted by Hans Schmidt-Isserstedt at the Usher Hall, Edinburgh Festival, on Tuesday 31st August at 8:00 pm.

Rave, poetic review by Neville Cardus in The Manchester Guardian of 3rd September - "Chopin as he should be played - The perfection of Claudio Arrau".

The programme also included Stravinsky's Symphony in Three Movements and Brahms's Symphony No.2 Op.73.

1954 England Recital at the Usher Hall on Saturday 4th September, as part of the Edinburgh International Festival of Music & Drama, with a program comprising
>  Liszt's Piano Sonata in B minor
>  Chopin's Ballade No.4 in F minor Op.52
Chopin's Nocturne in B major Op.61 No.1
>  Chopin's Scherzo No.4 in E major Op.54
Intermission
>  Liszt's Deux légends:
>.   St François d' Assise - La prédication aux oiseaux
>    St François de Paule - Marchant sur les flots
>  Chopin's Sonata in B minor Op.58
1954

Scotland

Performance of Schumann’s Piano Concerto Op.54 with the Philharmonia Orchestra conducted by Herbert von Karajan at the Usher Hall, Edinburgh, on Monday 6th September, as part of the 1954 Edinburgh International Festival.
The programme also included
Berlioz's Symphonie fantastique Op.14, and Wagner's Prelude and Liebestod from 'Tristan und Isolde'.

1954

England

Piano recital in London on 29th September, as part of the celebrity concerts broadcast on television.

1954

England

Performance of Beethoven's Piano Concerto No.3 in C minor with the Liverpool Philharmonic Orchestra under guest conductor Alfred Wallenstein, on Tuesday 5th October at 7:30 pm, this being the Liverpool Philharmonic Society's Second Tuesday Subscription Concert of its 116th season.
The programme also included Bruckner's Symphony No.4 in E flat Romantic.
1954

England

The Autumn issue of The Listener magazine published by the British Broadcasting Corporation in London on 7th October (Vol. LII No.1336), publishes a photpgraph with the caption "Claudio Arrau at the piano on September 29" and a brief note by critic Philip Hope-Wallace to record his ecstatic admiration for the pianist [page 589].

1954 Wales Swansea Festival of Music and the Arts, October 11th to 16th:
Performance of Beethoven’s Piano Concerto No.3, with The Hallé Orchestra conducted by Sir John Barbirolli, at the Brangwyn Hall, Swansea, on 11th October at 7:30 pm, in a programme also including Brahms's Academic Festival Overture and Symphony No.2.
1954
Germany
Broadcast performance of Chopin’s Piano Concerto No. 1, with the 'Kölner Rundfunk-Sinfonie-Orchester' (now renamed WDR Sinfonieorchester Köln) under Otto Klemperer, recorded at Saal 1, Funkhaus, Cologne, on 25th October.
1954
Germany
Broadcast performance of Chopin’s Piano Concerto No. 2, with the 'RIAS Symphonie-Orchester' of Berlin under Georg Ludwig Jochum (rather than Eugen Jochum) on 31st October or 1st November (rather than 1st January).
[RIAS:  Radio In The American Sector/Radio im Amerikanischem Sektor]
1954 England Performances of Beethoven’s Piano Concerto No.4 and Chopin’s Piano Concerto No.2, with the London Philharmonic Orchestra conducted by Adrian Boult.
1954 Scotland Performance of Brahms’s Piano Concerto No.1 with Alexander Gibson conducting The Royal Scottish National Orchestra.
1954 Italy Performance of Brahms’s Piano Concerto No.2, with Nino Sanzogno conducting the Orchestra del Teatro alla Scala di Milano.
1954 U.S.A.  Performance of Beethoven’s Piano Concerto No.3 with the Cincinnati Symphony Orchestra under Thor Johnson.
1954
Chile
Recitals on 28th July and 1st August.
[This entry needs corroboration and completion]
1954
Chile
Performances of Mozart's Piano Concerto K.595 and Brahms's Piano Concerto No.2 Op.83 on the 30th and 31st of July.
[This entry needs corroboration and completion]
1954
Chile
Made an Honorary Member of the Chilean National University's Faculty of Musical Science and Art, on 24th August. [Revista Musical Chilena, October 1954]
1954?
Chile
The Santiago City Council bestows its Illustrious Son Decoration upon Claudio Arrau. [1959?]
1954
Colombia
Concert with the Colombian Symphony Orchestra [Orquesta Sinfónica de Colombia] on the re-inauguration of the Cali Municipal Theatre, originally opened in 1929.
1954-5 U.S.A. Performance at the Omaha Performing Arts Society Centre, Nebraska, as part of the Tuesday Musical Concert Series.
1955    
1955 U.S.A. As part of the 113th Carnegie Hall Season 1954/55, performances of Chopin’s Piano Concerto No.1, with the New York Philharmonic Orchestra and George Szell conducting, on January 6th and 7th.
http://www.sickinger.com/nypoconcerts.html
1955 U.S.A. As part of the 113th Carnegie Hall Season 1954/55, performance of Chopin’s Piano Concerto No.2 Op.21, with the New York Philharmonic Orchestra under guest conductor George Szell, on January 9th at 2:30 pm.
The programme also included Brahms's Symphony No.4 Op.98, and constituted the 759th broadcast over the CBS Radio Network, from 2:30 to 4:00 pm (E.S.T.).
Concert programme at http://www.sickinger.com/nypoconcerts.html
09.01.1955
C
D WHRA 6037, released in January 2011.
1955 U.S.A. Front cover photograph on the 15th February Special Edition, 298-page issue of Musical America magazine (published in Pennsylvania from New York).
1955 U.S.A. Performances of Beethoven’s Piano Concertos Nos. 4 and 5 with Erich Leinsdorf conducting the Rochester Philharmonic Orchestra of New York on 27th February.
1955 U.S.A. Records two Mozart's and two Beethoven's sonatas for the U.N. Audio Library in New York, never released. [KV 310/KV311 and Op.21/Op.23, respectively]
1955/6
U.S.A.
Recital as part of the 1955-1956 Aaron Richmond Celebrity Series of Boston. http://www.celebrityseries.org/CS_aboutus/archives2.htm
1956    
1956 Canada

Recital at the Eaton Auditorium of Toronto, Ontario, on 1st March at 8:45 pm, with a programme including:

>  Mozart's  Sonata in A minor KV.310
>  Beethoven's Sonata in C major Op.53 Waldstein
>  Brahms's Variations on a Theme of Paganini, Book II
Intermission
>  Debussy's 'Pour le piano' [Prélude  Sarabande  Toccata]
>  Liszt's  Gnomenreigen
>  Liszt's  Mephisto Waltz

1956 Germany

Recital in Hanover, superlatively appraised by publications such as Presse, Norddeutsche Zeitung, and Allgemeine Zeitung of 16th March.

The programme consisted of -
>  Mozart's  Adagio
>  Schumann's  Fantasy
>  Beethoven's  Sonata Op.111
>  Beethoven's  Waldstein sonata

1956 Germany Fourth post-war tour of Germany in March.  Performance in Berlin of Beethoven’s Piano Concerto No. 3 with the RIAS-Symphonie-Orchester conducted by Wolfgang Sawallisch.  

Rave acclaim by the critics in the following Berlin publications of 21st March:   Morgenpost,  Tagesspiegel, Kurier,  Abend,  Der Tag,  Telegraf,  Spondauer Volksbaltt, Mongs-Echo.
1956 Germany

Performance in Munich of Brahms's Piano Concerto in B flat.
Highly appreciative reviews in Abendzeitung and Mercur of 25th March.

1956 Germany

Performance at the Schumannsaal of Dusseldorf met with the most appreciative critiques published in the Nachrichten and the Rheinische Post on 28th March.

1956 Germany

Performance in Hamburg of Brahms's Piano Concerto in D minor. Superlative reviews in Abendblatt, Echo, Norddeutsche Nachrichten, and Die Welt of 10th April.

1956 England

Highly acclaimed performances of Beethoven’s complete piano concerto cycle with Josef Krips conducting the London Symphony Orchestra, at the Royal Festival Hall in May-June.  

Monday 28th May:  Piano Concerto No.4
Wednesday 30th May:  Piano Concerto No.1
Monday 4th June:  Piano Concerto No.2
Wednesday 6th June:  Piano Concerto No.3
Monday 11th June:  Piano Concerto No.5

Rave reviews in:

London Times of 29th May - review of Concerto No.4
Daily Telegraph and Morning Post of 31st May - reviews of Concerto No.1
News Chronicle of 5th June - review of Concerto No.2
Manchester Guardian (Neville Cardus) of 6th June - review of concerto No.3
London Daily Express and London Times of 13th June - reviews of Concerto No.5

1956
India
Concert tour.
1956
Ceylon
Concert tour.
1956
Singapore
Concert tour.
1956
Malaya
Concert tour.
1956
England
Concert tour.
1956
Ethiopia Abyssinia
Concert tour.
1956
South Africa

Performances at the Johannesburg Festival (which ran from 16th September-27th October).

[The Rand Daily Mail 0f 13th September reported Arrau to have arrived in Johannesburg on Monday 10th September]

1956
U.R.S.S.
Concert tour.
1956
Canada
Several performances at the Stratford Festival in Ontario and a masterclass on piano interpretation.
1956 England Performance of Beethoven’s Piano Concerto No. 5, with the City of Birmingham Symphony Orchestra conducted by Rudolf Schwarz.
1956 England Recitals in London, Leeds and Birmingham.
1956 England Performances of Brahms' Piano Concerto No. 2 with Sir Malcolm Sargent conducting the B.B.C. Symphony Orchestra.

1956

England

Cover page photograph of Claudio Arrau on the June issue of Music and Musicians monthly magazine of London.
1956
Austria
Third participation in the Salzburg Festival at the Großes Festspielhaus on 22nd August: B
Beethoven's Piano Concerto No.5 under Fritz Reiner conducting the Vienna Philharmonic.

1956

 


Austria

 


At the Mozarteum on 23rd August, an all-Mozart recital including:
>  Fantasy
in C minor K475
>  Sonatas in C minor K457
>  Sonata in A minor K310
>  Sonata in D major K576
>  Sonata in F major K332

[CD Orfeo d'or - C 459 971 B, Germany, 1997, excluding K310 which became part of C 712 062 I, Germany, 2006].
1956 U.S.A. Performances of Beethoven’s Piano Concerto No.4 and Brahms’s Piano Concerto No.1, with the Minneapolis Symphony Orchestra conducted by Antal Dorati.
1956 U.S.A. Four recitals in New York, which comprised the entire solo piano literature by Mozart.
1956 Malaya Recital in Kuala Lumpur on 11th November, hosted by the Malayan Arts Council, with a programme consisting of:
>  Mozart, Sonata in D major
>  Beethoven, Les adieux Sonata
and
Schumann, Fantasy in C major Op.17
>  Liszt, Three pieces from Années de pèlerinage
>  Poulenc, Suite Napoli
Proceeds towards the Poppy Day Fund.
1956 Germany

Pro Musica evening recital at the Concert Hall of the Berlin College of Music [Konzertsaal, Hochschule für Musik, Berlin] on Wednesday 5th December at 20 hrs.
Programme:
>  Mozart's Phantasie c-moll KV 475
>  Mozart's Sonate c-moll KV 457
>  Beethoven's Sonate C-dur Op.53 Waldstein-Sonate
and
Schumann's Carnaval Op.9
>  Poulenc's Suite Napoli

1957    
1957 Mexico Concerto performance with the National Symphony Orchestra [Orquesta Sinfónica Nacional] under José Ives Limantour on the 3rd of February.
[This entry needs corroboration]
1957 Mexico Recital on the 6th of February.
[This entry needs corroboration]

1957

 

 


U.S.A.

 

 


Recital on 23rd February, as part of the Hunter College of the City University of New York's 1956-57 subscription series, with a program comprising:
Beethoven's  Bagatelle in G minor Op 119 No. 1
>  Beethoven's  Waldstein Sonata
>  Schumann's  Carnaval
>  Mozart's  A minor Sonata KV 310
Schönberg's  Three Pieces Op 11, and
>  Poulenc's  Napoli Suite.
[Highly appreciative account by The New York Times' critic J.B. on 25 February]
1957 U.S.A. Performance on the 10th of March at the West Shore Concert Series, Cleveland.
1957 Spain Concert in Madrid.
1957
Spain
Concert in Barcelona.
1957 Switzerland Performance of Beethoven’s Piano Concerto No. 3 with L'Orchestre de la Suisse Romande conducted by Ernest Ansermet.
1957 Germany Performance of Brahms’s Piano Concerto No.2 with the Berlin Philharmonic Orchestra [Berliner Philharmoniker] conducted by Hans Knappertsbusch.
1957 France Le guide du concert et du disque weekly magazine of 24th May shows a cover page photograph of Claudio Arrau.

1957

France

Performance of Beethoven’s Piano Concerto No.4 with L'Orchestre de la Société des concerts du conservatoire conducted by Pierre Dervaux. http://arrausite.free.fr/Index.html
1957 Australia

F our acclaimed recitals:

Three recitals at the Sydney Town Hall -

25th June programme:
>  Beethoven:  Bagatelle Op.119 No.2
>  Beethoven:  Sonata Op.110
Schumann:  Fantasie Op.17
Debussy:  Pour le piano suite
Liszt:  Gnomenreigen and Mephisto Waltz

27th June programme:
>  Schumann:  Humoreske Op.20
Ravel:  Gaspard de la nuit
>  Poulenc:  Napoli suite
>  Beethoven:  Sonata Op.10 No.3

29th June all-Beethoven programme:
>  Eroica Variations Op.35
>  Sonata Op.111
>  The Hunt Sonata Op.31 No. 3, and
>  Appassionata Sonata Op.57,

One recital in Melbourne.

1957
Australia
Article by L.B. in The Sydney Morning Herald of Monday 1st July, entitled "All-Beethoven Arrau Recital", apprasing Arrau's renditions on Saturday 29 June as the most revealing and engaging of performances.
1957
Australia
Article in The Sydney Morning Herald of Wednesday 21st August, entitled "Arrau in Brahms Concerto", apprasing Arrau's rendition of Brahms's Concerto No.2 on Tuesday 20 August as a performance of overwhelming power, vision and magnitude - "a major musical event of our generation". Nicolai Malko conducted the Sydney Symphony Orchestra.
1957
Australia
On 26th August, William James, from the then Australian Broadcasting Commission (ABC), cabled Columbia Artists Management in New York as follows:   "Claudio Arrau tour unsurpassed by any artist visiting Australia. Record full houses, both in Sydney and Melbourne".
1957 France Performance of Beethoven’s Piano Concerto No.4 under André Cluytens, at the Théâtre des Champs Elysées on 20th October.
1957 England Performances of Beethoven’s Piano Concertos Nos. 3, 4 and 5 with Josef Krips conducting the London Symphony Orchestra.

1957


England


Performances of Beethoven’s Piano Concertos Nos. 1, 2, 3, 4, 4, 5 and 5 on Tuesday 15th, Thursday 17th, Thursday 24th, Saturday 26th October and Sunday 3rd, Monday 4th, and Friday 8th November, respectively, as part of the Beethoven Festival, staged at the Royal Festival Hall, London, with the Philharmonia Orchestra conducted by Otto Klemperer - a highly celebrated event.

Superlative reviews of the series and 'The Emperor' concerto in particular, published in, amongst others, The London Times of 5 November, and the Daily Telegraph, Morning Post, and London Daily Mail of 9 November.

[Live recordings of concertos Nos. 3, 4 and 5 released on CD by Testament SBT2 1351, in 2004]
1957 England

Recital at the City of Leeds Town Hall, West Yorkshire, on Sunday 27th October at 7:30 pm, with a programme consisting of:

> Mozart:  Sonata in B flat K.570
> Beethoven:  Sonata in E flat major Op.81a Les adieux
> Schumann:  Carnaval

Interval
> Debussy
:  Pour le piano
> Liszt:  Gnomenreigen
> Liszt:  Mephisto Waltz 

1957 England Performances of Grieg’s and Schumann’s Piano Concertos, with the Philharmonia Orchestra under Alceo Galliera.
1957 England Performance of Chopin’s Piano Concerto No.2 with Andrzej Panufnik conducting the City of Birmingham Symphony Orchestra.
1957 England Performance of Beethoven’s Piano Concerto No.5 under Sir John Barbirolli conducting the Hallé Orchestra at the Free Trade Hall of Manchester on Sunday 10th November at 7:00 pm, as part of the Hallé Centenary Year Festival 1957-8.
The programme also included Mendelssohn's Overture 'The Hebrides', Robert Hughes's Sinfonieta (world premiere), and Stravinsky's Ballet Suite 'The Fire Bird'.
1957 U.S.A. Performances of Liszt’s Piano Concerto No.2 and R.Strauss’s Burleske in D minor, with Thor Johnson conducting the Cincinnati Symphony Orchestra.
1957 U.S.A. Performance of Beethoven’s Piano Concerto No.5 with the Boston Symphony Orchestra under Charles Munch at the Symphony Hall, Boston, on 30th November.  The program also included Beethoven's Symphony No.3, "Eroica", Op.55.
[West Hill Radio Archives, WHRA-6014, 5CDs, EU, 2008]
1957/8
World
Performances in Czechoslovakia (Prague), Romania (Bucharest), the Soviet Union, Japan, Australia, New Zealand, Europe, Israel [see below], the U.S.A., Canada, Mexico, and South America (including his homeland in 1958).
1958    
1958 Germany

Pro Musica evening recital at the Concert Hall of the Berlin College of Music [Konzertsaal, Hochschule für Musik, Berlin] on Monday 17th March at 20 hrs.
Programme:
Beethoven:  32 Variationen c-moll
>  Beethoven:  Sonate c-moll Op.111
>  Schubert:  Drei Klavierstücke Op.Posth (1828)
and
>  Chopin:  Phantasie f-moll Op.49
>  Chopin:  Nocturne H-dur Op.62 Nr.1
>  Chopin:  Allegro de Concert Op.46

1958
Czechoslovakia

Since his previous artistic visit to Prague in 1929, Arrau particpates for the first time in the Prague Spring Festival in May, with several performances of concertos and solo piano music by Beethoven.  

One recital was rewarded with a 28-curtain-call ovation.

Highly acclaimed performances prompting critics' statements such as:  "Arrau is probably the greatest of contemporary pianists", "Arrau has no comptetition today in the world".

Highly appreciative reviews in Lidova Demokracie (20th May), Obrana Lidu, Práce, and Svobodné Slovo of Prague.

1958
Israel

Fourteen concertos and recitals at the recently inaugurated Frederick R. Mann Auditorium of Tel Aviv.  
Concertos were performed with the Israel Philharmonic Orchestra.
Recitals were devoted to Beethoven's 32 piano sonatas.

1958
Israel
An all-Beethoven recital in Tel Aviv on 7th June, interpreting sonatas opus 31 No.3, opus 110, opus 111, and opus 57.
1958
England
Bestowed The Royal London Philharmonic Society's Medal after recipient pianists Hans von Bülow, Ignacy Jan Paderewski, Artur Schnabel, and Artur Rubinstein.
1958 England Performance of Grieg’s Piano Concerto on 3rd April at the Royal Festival Hall of London, with Thomas Schippers conducting the Philharmonia Orchestra.
1958 England Performances of Schumann’s Piano Concerto Op.54 and Brahms's Piano Concerto No.2, on Sunday 6th April at 7:30 pm, at the Royal Festival Hall of London, with Lásló Somogyi conducting The London Symphony Orchestra, in a program which commenced with Schubert's Symphony No.8 "Unfinished".
1958 England

International Celebrity Music Festival, 6 May-8 June:  
Recital at the Royal Festival Hall of London on Wednesday 14th May at 8:00 pm, with a program comprising:
Beethoven:  32 Variations in C minor
>  Schubert:  Drei Klavierstücke Op.Posth(1828)
Beethoven:  Piano Sonata Op.57 "Appassionata"
>  Liszt:  Four pieces from Années de Pèlerinage

>  Liszt:  Mephisto Waltz

1958 England Performance of Beethoven’s complete piano concerto cycle, with Alceo Galliera conducting the Philharmonia Orchestra.
1958 England Performance of Grieg’s Piano Concerto with the London Symphony Orchestra under Alexander Gibson.
1958 England Performance of Beethoven’s Piano Concerto No. 5 with Andrzej Panufnik conducting the City of Birmingham Symphony Orchestra.
1958 England Record Times magazine of August reports on page 4 about Claudio Arrau's participation in this years Edinburgh Festival and his recent, highly successful performances in Prague and Tel Aviv.
1958 Scotland An all-Beethoven recital at the Usher Hall on Tuesday 2nd September, as part of the Edinburgh International Festival, with the following program:
>  Sonata in D major Op.10 No.3
>  Sonata in C major Op.53 Waldstein
Interval
>  Sonata in C minor Op.111
>  Sonata in F minor Op.57 Appassionata
1958 Scotland

An all-Chopin recital at the Usher Hall on Sunday 7th September, as part of the Edinburgh International Festival, interpreting the following works:

>  24 Préludes Op.28
>  Allegro de concert Op.46
>  Fantaisie in F minor O.49
>  Nocturne in B major Op.62 No.1
>  Mazurka in C sharp minor Op.41 No.1
>  Ballade in A flat major Op.47

>  Four Studies from Op.10
>  Two Studies from Op.25

A thorough appraisal of Arrau's Chopin by music critic Neville Cardus in an article entitled 'Rediscovery of Chopin's Musical Power - Claudio Arrau's Mastery', published in The Manchester Guardian of Wednesday 10 September.

1958 Romania Performance at the International Bucharest Festival.
[Musical America, 1st January 1960, page 4]
1958 Italy Performance at La Scala in Milan.
[Musical America, 1st January 1960, page 4]
1958 Scotland Performance of Brahms’s Piano Concerto No.1 with the London Symphony Orchestra under Alexander Gibson.
1958 Scotland Performances of Beethoven’s Piano Concerto No.4 and Grieg’s Piano Concerto Op 16, with the Royal Scottish National Orchestra and Colin Davis conducting.
1958 Germany Performance of Brahms’s Piano Concerto No.1 with Fritz Rieger conducting the Munich Philharmonic Orchestra [Münchner Philharmoniker].
1958 Germany Performance of Beethoven’s Piano Concerto No.3 with the North German Radio Symphony Orchestra [NDR Sinfonieorchester] of Hamburg conducted by Hans Schmidt-Isserstedt.
1958
Chile
Recitals in Santiago.
[This entry needs corroboration]
1958
Mexico
Performances of Beethoven's Piano Concerto No.1 and Brahms's Piano Concerto No.2, with Mexico's National Symphony Orchestra [Orquesta Sinfónica Nacional de México] conducted by José Ives Limantour at the Palacio de Bellas Artes, Mexico City.
[Claudio Arrau, último gran pianista de la tradición germana, S. Dorantes G,' Cronos', Jalapa, Veracruz, 1980]
1958 England Performances of Grieg’s Piano Concerto in A minor and Brahms's Piano Concerto No.1 Op.15, at the Royal Albert Hall of London, with the London Symphony Orchestra and Alexander Gibson conducting, on Sunday 2nd November at 7:30 pm.

The programme also included Wagner's Overture Die Meistersinger, and Rimsky-Korsakov's Capriccio Espagnole.

Appraisals in The Times, Daily Telegrah, and Morning Post of 4th November.
1958 U.S.A.

Performance of Beethoven’s Piano Concerto No.3 Op.37 at Carnegie Hall, with the New York Philharmonic Orchestra and Leonard Bernstein conducting on 4th, 5th and 6th December.

The 6th December programme also included:
Vivaldi's Concerto in D minor for Oboe, Strings and Cembalo F.VII, No.1; Copland's Music for the Theatre; and Copland's Orchestral Variations.

1959    
1959 Mexico Recitals on the 3rd, 12th and 14th of February.
[This entry needs corroboration]
1959
Switzerland
Début at the International Music Festival of Lucerne.
1959 Switzerland Performance of Beethoven’s Piano Concerto No. 1, with the Zurich Townhall Symphony Orchestra [Tonhalle-Orchester Zürich] conducted by Hans Rosbaud.
1959 Netherlands Performance of Brahms’s Piano Concerto No. 2, with the Concertgebouw Orchestra Amsterdam conducted by Paul Kletzki.
1959 Germany Performances in March-June of Beethoven’s complete piano sonata cycle three consecutive times in Berlin, Hamburg and Zürich [Musical America, 1st January 1960].
1959 England

Performance of Beethoven’s complete piano sonata cycle at the Royal Festival Hall in London, started in March-June with full houses, crowded to the stage [Musical America, 1st January 1960, page 4].

On Wednesday 3rd June, the programme consisted of:
>  Sonata in C major Op.2 No.3
>  Sonata in E flat major Op.81a Les adieux
>  Sonata in A flat major Op.110
>  Sonata in F minor Op.57 Appassionata

The London Times of 23rd June appraised the cycle with an article whose inspired titled was "Music at one with eternity".

The cycle concluded on 29th June to the highest critic acclaim.  

1959 England Performance of Beethoven’s Piano Concerto No. 4, with the Philharmonia Orchestra conducted by Rafael Jeroným Kubelík.
1959 France Performance on 24th March of Beethoven’s Piano Concerto No. 3 with Carl Schuricht conducting L' Orchestre national de France at the Théâtre des Champs Elysées, Paris.
1959 Germany Performance of Brahms' Piano Concerto No.1 with the Essen Municipal Orchestra [Städtisches Orchester Essen] conducted by Gustav König at the Municipal Music Club [Städtisches Musikvertein] on 10th April at 8:oo pm.
1959 Germany Broadcast performance of Beethoven’s Piano Concerto No. 4, with the 'Kölner Rundfunk-Sinfonie-Orchester' (now renamed WDR Sinfonieorchester Köln) under Christoph von Dohnányi, recorded at Saal 1, Funkhaus, Cologne, on 6th April.
[ICA Classics: ICAC 5045 CD, issued in 2011, Austria]
1959 U.S.A. Performances of Brahms’s Piano Concertos 1 and 2 with the Utah Symphony Orchestra under Maurice Abravanel.
1959 U.S.A. Performance of Brahms’s Piano Concerto No. 2, with the Cincinnati Symphony Orchestra and Max Rudolf conducting.
1959 England London's 'Music and Musicians' magazine of June highlights Claudio Arrau as This Month's Personality, with a quarter page photograph and a quarter page biographical précis on the editorial page.
1959 England An article by William Mann, occupying page 3 of 'Record Times' monthly magazine of June, refers to a series of recitals by Arrau at the Royal Festival Hall of London devoted to the Beethoven piano sonatas.  He highlights Arrau's great musicianship, scrupulous technical care and power, and ability to relate detail to the whole work performed and to the whole of life. [Two photographs].
1959
Chile
A 10-day professional visit to Chile from the 4th July, with five recitals in Santiago at the Teatro Astor (2), Teatro Alameda (2), and Teatro Caupolicán (1), as well as two recitals in Concepción, one in Valparaíso, and one in Chillán (please see below).
[Revista Musical Chilena, July-August 1959]

The repertoire played in these recitals drew from the following works:

Beethoven: Sonatas Nos. 3, 4, 13, 14, 21, 23, 28, 30, and 31.
Chopin:
Ballade Op.47, Préludes Op.28,
Fantasy Op.49, Scherzo Op.54
Debussy: Pour le piano, Images Book I
Liszt:
MephistoWaltz, Jeux d'eau à la villa d'Este, La Chapelle de Guillaume Tell
[Repertoire needs corroboration]

1959


Chile


Third return to Chillán, Arrau's birthplace, on 15th August:
On 16th August at
12:00 noon, Arrau was declared Hijo Benemérito de Chillán, and Calle Lumaco, the street at whose number 554 Claudio Arrau was born, was officially named after him.
On 16th August at
19:00 hours, recital at the Teatro Central de Chillán, comprising works by Mozart, Beethoven, Chopin, and Liszt.
1959
Chile
The Concepción City Council awarded Claudio Arrau the Honorary Citizen's Decoration and The City's Gold Medal.
1959
Chile
The University of Concepción named Arrau an Honorary Member.
1959
Chile
The Santiago City Council awarded Claudio Arrau the Honorary Citizen's Decoration.
1959 England A cover page article on the 'Record Times' monthly magazine of August, entitled Arrau's 'Emperor', announces the release on Columbia of Arrau's recording of Beethoven's piano concerto No. 5 with Alceo Galliera.  The article calls attention to the fact that just as Klemperer is normally associated with Beethoven's symphonies, Arrau is associated with Beethoven's piano music.  It goes on to emphasize Arrau's masterly artistry and technique, and the sheer joy of his sound. [Cover page photograph].
1959 Switzerland

Recital on 9th September as part of the 'Settimane Musical di Ascona', with a programme including the following works:

> Beethoven:  Sonata per pianoforte n.23 op.57 Appassionata
> Schumann:  Fantasia in do maggiore op.17
> Debussy:  Pour le piano, suite per pianoforte
> Chopin:  Etude op.10 n.4 in do diesis minore (Presto)

Recorded by Radiotelevisione della Svizzera Italiana - Rete 2, and first released on CD in 1994 as Ermitage ERM 149 ADD.

1959
England
Performance of Beethoven’s Piano Concerto No. 3, with the Hallé Orchestra conducted by Sir John Barbirolli at the Free Trade Hall of Manchester on the 7th and 8th of October, as part of the 1959-60 Mid-Week Series organised by the Hallé Concerts Society.
1959
England
Performance of Liszt’s Totentanz Fantasy for Piano and Orchestra and Strauss's Burlesque in D minor for Piano and Orchestra, with The Royal Philharmonic Orchestra conducted by Sir Malcolm Sargent at the Royal Festival Hall of London on Wednesday 14th October, this being the First Concert of The Royal Philharmonic Society's 148th Season.
The programme also included Berlioz's Overture Benvenuto Cellini and Elgar's Symphony No.1 in A flat.
1959

Germany

Performance of Beethoven's Piano Concerto No.4 Op.58, with the Gewandhausorchester Leipzig conducted by Franz Konwitschny at the Kongressaal, Deutsches Museum, Munich, in October.

Satellite broadcast by Bayern 4 Klassik, Munich, on 6th May 2010.

1959
U.S.A.
Beloved mother dies and is buried on 29th October in grave No.68 at Mapledwood Gardens 4, Ferncliff Cemetery, Westchester County, New York.
1959 U.S.A. Performance with the Los Angeles Philharmonic under Arturo Basile on 18th November.  http://www.camasb.org/archives/1950-60.shtml
1960    
1960 U.S.A. Musical America magazine of 1st January shows a cover page photograph of Claudio Arrau and inludes on its page 4 a brief account of the artist's busy schedule around the world.
1960 U.S.A. Recital at the Carnegie Hall of New York on Saturday 27th February at 2:40 pm, as part of the 1959-1960 Season.
1960
U.S.A.
Twentieth annual tour of the U.S.
1960
Argentina
Highly acclaimed recitals in Buenos Aires.
1960 France Performances of Beethoven’s Piano Concertos Nos. 1 and 5 with L’Orchestre de la Société Philharmonique de Paris conducted by Léon Barzin. http://arrausite.free.fr/Index.html
1960 Germany Recital at the Konzertsaal, Hochschule für Musik [College of Music's Concert Hall] of Berlin on Friday 25th March at 8:00 pm, with the follwing programme:

>  Mozart:  Rondo a-moll KV 511
>  Schumann:  Fantasie C-dur Op.17

>  Schoenberg:  Drei Klavierstücke Op.11
>  Ravel:  Gaspard de la nuit
>  Liszt:  Etudes d'exécution transcendante Nr.11 und Nr.10

Critic's reves under titles such as "Ovations for Arrau", "Subliminal Virtuisity" [Vergeistigte Virtuosität], "Festive Hours", in reviews which appeared in Spandamer Volksblatt, Der Tag, Der Tagesspiegel, Berliner Morgenpost, and Telegraf  late in March.
1960 U.S.A. In a performance review by Herbert Garon, entitled 'Virtuoso's Holiday Spent With Pianist Arrau', included in the Rice Thresher issue of 9th December 1960, Rice University, Houston, Texas, the assertion is made that Claudio Arrau might have had a mild heart attack early in June.
However, asked in March 2011, writer Ruth Jody, a close friend of the Arrau family at that time, could not recall such an incident and rather recalled Arrau's "excellent health at all times".
The issue may need further corroboration.
1960 England Perfomance of Beethoven's Piano Concerto No.5 in E flat Op.73 Emperor and Liszt's Piano Concerto No.1 in E flat on Saturday 25th June at 7:30 pm, at the Philharmonic Hall of London, with the Royal Liverpool Philharmonic Orchestra under guest conductor Hugo Rignold.
The programme also included Mendelssohn's Overture 'A Midsummer Night's Dream', and Dvorak's Symphonic Variations on an Original Theme Op.78
1960 U.S.A.

All-Chopin recital, as one of The Berkshire Festival's Six Concerts of Chamber Music, performed at the Theatre-Concert Hall, Tanglewood, Massachusetts, on Wednesday 20th July at 8:30 pm, with a programme consisting of the following works:

Ballade No.4 in F minor Op.52
Scherzo No.4 in E major Op.54
Sonata in B minor Op.58
Intermission
Twenty-four préludes Op.28

[Note that Chopin's Fantasy in F minor Op.49 also was in the originally advertised programme, but deleted from the actual performance]

1960 U.S.A. Performance of Beethoven’s Piano Concerto No.5 Op.73 The Emperor at Tanglewood, with the Boston Symphony Orchestra conducted by Pierre Monteux on 23rd July at 8:30 pm, as part of the Berkshire Festival.

The programme also included -
Cherubini's Overture to 'Anacréon',
Respighi's Fountains of Rome Symphonic Poem, and Strauss's Till Eulenspiegel's Merry Pranks Op.28.
1960 Greece Performance/s at the Odeon of the Herodes Atticus, as part of the Festival of Athens, under Ernest Ansermet.
1960 England Performance of Beethoven’s Piano Concerto No. 3 with the City of Birmingham Symphony Orchestra under Hugo Rignold.
1960 England Performances of Grieg’s and Schumann’s Piano Concertos, with the Philharmonia Orchestra under Alceo Galliera.
1960 England Performances of Tchaikovsky’s Piano Concerto No. 1 and Weber’s Konzertstück Op 79, with the Philharmonia Orchestra conducted by Alceo Galliera.
1960 England Performances of Beethoven’s Piano Concerto No. 1 and Brahms’s Piano Concerto No. 1, with Carlo Maria Giulini conducting The Philharmonia Orchestra.
1960 England Performance of Brahms’s Piano Concerto No. 2 with the London Philharmonic Orchestra conducted by Sir John Michael Pritchard.
1960 Scotland Appearance at the Usher Hall on Friday 16th August, as part of the 1960 Edinburgh International Festival, with a programme consisting of:
>  Beethoven's  Sonata quasi una fantasia in E flat major Op.27 No.1
>  Schumann's  Kreisleriana Op.16
>  Ravel's  Gaspard de la nuit
>  Smetana's  Sketch to a scene from Shakespeare
>  Liszt's  Concert Study No.2, Gnomenreigen
>  Liszt's  Étude d' exécution transcendante in F minor No.2
1960 Scotland Performance at the Edinburgh International Festival, Usher Hall, on 27th August at 8 pm.
1960 Switzerland Performance of Beethoven’s Piano Concerto No. 5, with the Zurich TownHall Symphony Orchestra [Tonhalle-Orchester Zürich] conducted by Georg Solti.
1960 Germany Performance of Beethoven’s Piano Concerto No. 4 with the RIAS-Symphonie-Orchester conducted by Bernard Haitink.
1960 Germany Performance of Beethoven’s Piano Concerto No. 1 with the Cologne Radio Symphony Orchestra conducted by Ferdinand Leitner.
1960 Germany Performance of Chopin’s Piano Concerto No. 2 with the Bavarian Radio Symphony Orchester and Massimo Pradella conducting.
1960 Germany Article in Berlin's 'Kurier' of 6th October, entitled "On Gieseking's Throne: Claudio Arrau", with a rave appraisal of a recital at the Hochschulsaal, comprising Chopin's 28 Préludes and B minor Sonata, and Schumann's Carnival.  A suggestion and request:  An all-Liszt programme.
1960 Germany Article in Berlin's 'Der Tag' of 7th October, entitled "All the Marvels of the Romantic Style", with a whole-hearted appraisal of a recent recital comprising Chopin's 28 Préludes and B minor Sonata, and Schumann's Carnival.  The pianist received a stormy ovation.
1960 Germany Article in Berlin's 'Telegraf of 9th October, entitled "Piano Playing of Highest Rank", with an appreciative appraisal of a recent recital comprising Chopin's 28 Préludes and B minor Sonata, and Schumann's Carnival.
1960 England Performance of Beethoven’s Piano Concerto No. 4 , with John Pritchard conducting The Royal Liverpool Philharmonic Orchestra, as part of the Third Subscription Series of The Royal Liverpool Philharmonic Society, on Tuesday 18th October at 7:30 pm.

The programme also included:
Hindemith's Symphony 'Mathis der Maler'
Mozart's Symphony No.38 in D Prague K.504
Enesco's Roumanian Rhapsody No.1 in A Op.11
1960
Czechoslovakia
Recital at the Prague Spring Festival with a program including Chopin's 24 Preludes Op.28.A
[Appian Publications and Recordings: CD APR 5631, 2000]
1960

Greece

Performances in Athens.

1960

 

 

 


U.S.A.

 

 

 


Chopin-Schumann recital on 11th November, at the Grace Rainey Auditorium of the New York Metropolitan Museum of Art, to pay homage to both composers born 150 years earlier.
The recital, held as magnificent throughout, consisted of the following masterpieces:
Chopin's  Nocturne in B Op 62 No. 1
>
 Chopin's
 Fantasy in F minor
>
 Chopin's
 Ballade in F minor
>
 Chopin's
 Twenty-four Preludes
>  Schumann  Fantasy in C.
[Rave critique of performance by Raymond Ericson for The New York Times of
12 November 1960]
1960
Puerto Rico
Performances at the Casals Festival in San Juan.
1960 U.S.A. Performance of Liszt's Totentanz and R.Strauss's Burleske, with the Houston Symphony Orchestra conducted by Sir Malcolm Sargent in Houston on 8th December.

Review of 'piano diablerie' performance by Herbert Garon, entitled 'Virtuoso's Holiday Spent With Piansit Arrau', included in the Rice Thresher issue of 9th December 1960, Houston, Texas (Rice University)
1960/1
U.S.A.
Recital as part of the 1960-1961 Boston University Celebrity Series. http://www.celebrityseries.org/CS_aboutus/archives3.htm
1961    
1961
Finland
Performances at the Sibelius Festival in Helsinki.
1961
Israel
Recital at the Fredric R. Mann Auditorium of Tel Aviv on Saturday 8th April at 8:30 pm, with a program including works by Beethoven, Schumann and Liszt.
1961
Israel
Farwell appearance at the Fredric R. Mann Auditorium of Tel Aviv with special performances of Beethoven Piano Concerto No.1, Chopin Piano Concerto No.1, and Liszt Piano Concerto No.2, on Saturday 15th April at 8:30 pm, with the Israel Philharmonic Orchestra conducted by Irwin Hoffman.  Proceeds for the Musicians Pension Fund.
1961
Puerto Rico
Arrau p erforms Brahm's Trio No.2 for piano, violin and cello Op. 87, with Isaac Stern and Pablo Cassals on 27th June in San Juan, as part of the 'Pablo Casals Festival'.

Unique recording held by:
> the Library of Congress in Washington, Catalog No. 91480576,
> and the New York Public Library, VHS black and white 1/2 inch
> videocassette, remastered in 1990.
1961 Germany Performance of Schumann’s Piano Concerto with the Berlin Philharmonic Orchestra [Berliner Philharmoniker] conducted by Istvan Kertesz.
1961 Germany Performance of Liszt’s Totentanz for piano and orchestra, with the Munich Philharmonic Orchestra [Münchner Philharmoniker] and Fritz Rieger conducting.
1961 England Triumphal concerto festival with the London Philharmonic Orchestra at the Royal Festival Hall, under Sir Adrian Boult, on 7th, 16th and 20th of June, playing nine of the great concerti in three sold-out sessions to the highest acclaim from critics and audiences alike.
Daily Telegraph, Daily Express, and London Times of 8th June.
Manchester Guardian of 21st June.
1961 France Performance of Brahms’s Piano Concerto No. 1 with Igor Markevitch conducting L' Orchestre national de France.
1961 U.S.A. Performance of Chopin’s Piano Concerto No. 2 with the Utah Symphony Orchestra under Maurice Abravanel.
1961 U.S.A. Performance of Beethoven’s Piano Concerto No. 4 with Charles Munch conducting the Boston Symphony Orchestra at Tanglewood on 18th August.
1962    
1962
Israel
Twelve concerts in 15 days.
1962
U.S.A.
Records Schumann’s Fantasiestücke Nos. 2 & 5 for Everest Records, in benefit of the U.N. High Commissioner for Refugees (LP - UN M/S 2).
1962
U.S.A.
Four sold-out concerts at the newly inaugurated New York Philharmonic Hall.
1962 U.S.A. Broadcast performance of the third movement of Beethoven’s Piano Concerto No. 5, with The Bell Telephone Orchestra conducted by Donald Voorhees. [The Bell Telephone Hour used to broadcast only one movement from concertos]
1962 U.S.A. Performances of Beethoven’s Piano Concertos No. 1 and 5 with Theodore Bloomfield conducting the Rochester Philharmonic Orchestra, New York.
1962 U.S.A. Performance at TV show No. 2 of The Bell Telephone Hour on 22nd October, hosted by Robert Goulet.
1962 Venezuela Performances of Beethoven’s Piano Concerto No. 4 and Brahms’s Piano Concerto No. 1, with the Orquesta Sinfónica de Caracas and R. Rujne conducting. http://arrausite.free.fr/Index.html
1962 Netherlands Performance of Schumann’s Piano Concerto Op 54, with the Concertgebouw Orchestra of Amsterdam conducted by Eugen Jochum.
1962 Germany Performance of Brahms’s Piano Concerto No. 1, with the Berlin Philharmonic Orchestra [Berliner Philharmoniker] conducted by Sir Colin Davis. http://arrausite.free.fr/Index.html
1962 England Performances of Beethoven’s Piano Concerto No. 3, Liszt’s Totentanz for piano and orchestra, and Weber’s Konzertstück Op 79, with the London Philharmonic Orchestra and Sir Adrian Cedric Boult conducting.
1962
England
Nine concertos in 3 concerts with the London Philharmonic Orchestra.
1962 England Performance of Brahms’s Piano Concerto No. 2 with Carlo Maria Giulini conducting the Philharmonia Orchestra.
1962
England

International Celebrity Recital at the Royal Festival hall of London on Wednesday 6th June at 8:00 pm, performing the following works:

> Mozart: Sonata in D  K.576
> Brahms: Variations and Fugue on a Theme by Handel Op.24
Interval
> Debussy: Twelve Préludes, Book I
> Liszt: Étude d'exécution transcendante No.11 in D flat Harmonies du
> soir

> Liszt: Étude d'exécution transcendante No.10 in F minor


 End of 'Middle Period' section


 This section last updated on 19th December 2011